Listen to my words of wisdom … mashups welcome

Listen to my words of wisdom … mashups welcome

00:00 / 24:22
During the recent K&D Stylings North American Tour, I took a detour to attend the Electronic Literature Organization conference: Electrifying Literature / Affordances and Constraints, which was held at West Virginia University in Morgantown.

Actually, it wasn’t so much a detour as the second leg of my itinerary but WGAF. Anyways, I also presented a paper at the conference, and that’s what this post is really about. As you can see from the image above, my audience was vast. Again, I tell a squeaky little lie. This is what the auditorium looked like ten minutes before my panel started. Which was still at the godless hour of 8.30am on Saturday 23 June 2012.

Thankfully, a few hardy souls ended up arriving to witness me, Alexandra Saemmer and Clara Fernandez-Vara go through the motions. Overall, I was happy with my presentation, which was on the subject of Cordite Poetry Review, the journal of which I used to be the Managing Editor, and its status (or otherwise) as a work of electronic literature (read the full abstract). I don’t have much to say about the content of the presentation itself, but hope I’ll be able to draw something coherent together for the EBR thread dedicated to the conference.

The conference itself was really inspiring—although as usual it just wasn’t possible to catch everything I wanted to see, even for an academic community as small and well-defined as the e-lit scene. Highlights for me included Stephanie Boluk and Patrick LeMieux’s brilliant discussion of Dwarf Fortress, the goofy UnderAcademy College ‘panel’, the Taroko Gorge remix panel, Stephanie Strickland and Nick Montfort’s presentation about code commenting in Sea and Spar Between and Florian Cramer’s provocative keynote speech.

I also really enjoyed taking a few days out from an otherwise manic three city tour——NYC, Montreal and Chicago in less than three weeks: never again!——to experience the … serenity? … of Morgantown. So my personal highlights included an impromptu country hoe-down at the local brew pub, the quaint old fraternity and sorority buildings on campus and … most of all … the infamous Morgantown PRT!

Anyway, I’m quite serious about welcoming mashups of my talk. You can listen to and download it above. Use the feedback button on the right hand side of this page if you’d like to send me an mp3. Or if you’d just like to say hello. It takes all sorts.

From the Archives: Last Night Betty Extender

From the Archives: Last Night Betty Extender

00:00 / 7:00
It seems like a long time ago that I wrote the poem ‘Last Night Betty’, and it seems like an eternity since I listened to this slice of mixed up toe-jam.

Featuring unauthorised guitar licks from ELT, and a drum beat from a nifty little app called the Rapmaster that I’ve not been able to find again.

Strap yourself in and be prepared.

It doesn’t get much loopier than this.

‘Live In the Bahamas’ leaks onto the Internet

‘Oceans (Lice)’, by Clint Bo Dean
(Note: if you can’t see the audio player above, you’ll need to enable javascript in your browser).

As NASA and other important organisations begin their preparations for the countdown to DNRC’s 100th release, tensions on the Tribesco peninsula have risen after the apparent leaking of an excerpt from Clint Bo Dean’s prescient masterpiece, Live in the Bahamas, onto the Intranet. We reviewed the odd-ball LP here in May, but eager listeners can now get a taste of the contents of the record’s live ‘feel’ via the attached mp3 exclusive, which was apparently leaked a micro-second before the entire album was deleted from the DNRC archives altogether. While the quality of the recording suggests that this is a bootleg rather than an official CBD release, one listen to the final ‘track’ from the album, the anthemic ‘Oceans (Lice)’ should set your mind at ease, at least with regards the burning question of whether the rest of the ‘set’ is worth listening to at all. Hint: it isn’t.

Karin Revisited: The Audio

Karin Revisited: The Audio

00:00 / 6:06
Last Friday’s Poetry Picture Show event in Sydney was a lot of fun. Ten poets reading out poems about the moving image, followed by short films based on the contents of those poems.

Highlights for me were Kate Lilley’s take on Mildred Pierce and John Tranter’s Paris Blues but of course everyone was wonderful.

The crowd was great too, packing out the old Darlington School hall, a building I’d never even been to, though it’s in the grounds of Sydney University, where I scraped through an undergraduate degree.

You can read my poem Karin Revisited (inspired by the film Can You Feel Me Dancing, starring Justine Bateman as Karin) online or listen to an audio version above.

One thing I noticed about the text version of my poem, which is written in four line stanzas, is that I inadvertently included a stanza with only three lines.

Does anyone have any suggestions for the fourth line?

Here is what it looks like right now, in context:

Dancing makes you free. You're in an invisible
machine, standing upright, & each movement of
your body bends space & time. For Karin, that
moment before lift-off comes like a swoon, or

a screen kiss at the end of a dance. She freezes
in mid-air like Superman before a blue screen,
or a magician's assistant, supported by strings,

listening for the end of each scene. A minimum
of crowd noise, just the tube's silver surf. The
way it was that afternoon at home when she sat
& listened all the way through it. That silence ...

Any ideas?

Clint Bo Dean releases first tracks from debut album!

Snelheid 2

After years of inactivity, lame excuses, courtroom dramas and peanut allergies, Clint Bo Dean has finally got around to releasing the first tracks from his startlingly-weird debut album, currently entitled “Never Go Ashtray”. Rumoured to be even more incendiary than Ash Wednesday, the album may well be released in time for Christmas, but that’s anyone’s biscuit. The songs, both instrumentals, are known as “Snelheid Two” and “Klein Uurtje”. You can check out “Snelheid Two” here. Rumours that the entire album will be released in Dutch are “heel gek,” according to the pixellated star.