포악: Atrocity

In 2005 I travelled to Seoul to write a series of prose poems in PC Bangs (Korean Internet cafes) about imaginary cities. This one was originally called 'imaginary cities: atro—'.
Imagine a city with no streets 
     but networks of amputated limbs. 

An officious city of criminal investigations 
     and inquests whose soul is a square of cheap, 
     grey carpet 
          and a water dispenser. 

The tinkle of pachinko, 
     the sudden sirens of attack. 

Those women with the hand bills, 
     so stubborn and intent upon their mission, 
     invading the bodyspace of the factory workers like an influenza. 

Sheets of steel carried by a dozen men at a time 
     towards the railhead. 

Rain in bursts of noise upon their heads. 

Somewhere there is a map of the city's improvements 
     but no one I speak with has seen it. 

Wheelchair-bound ladies protest at 
     the new constructions rising up around them 
          in terrifying spirals. 
     No-one is allowed to see them. 

Behind their riot shields, 
     the policemen are only boys. 

Some of them wear white sneakers, 
     as if they have been called in from basketball practice. 

Sleeping street people 
     curled up like scraps of paper 
          on the subway stairs, 
               trusting that the spirits will protect 
                    their small change, 
                         their street salaries. 

Mandarin peels in the gutters. 

Sewer smells that hit the face like a nervous pigeon, 
     the frightful proximity of disease. 

A hollow city, 
     stained with sad skirmishes 
     and pickled fistfights. 

Gouged-out eyes that speak. 

Tables hoarded under orange shelters. 

Old men dancing in parks for citizens, 
     while other citizens peer out at the sky 
     like lost kittens in bamboo. 

Squeals. 

     Drums. 

          Discarded cloths, 
               blood-stained. 

News of another separatist attack filters through 
     stale cups of coffee, 
     cigarette butts neatly stacked like bullets. 

A simulated odyssey through virtual historical battles 
     gains popularity in the parlours. 

No one speaks of it; 
     these things require no advertisements. 

Beware the reconstituted cutlets of crumbed meat:
     that way annihilation lies. 

Pull back the tarpaulin to reveal today's wares— 
     a rack of twisted and burnt squid, 
     dried suckers and flattened jerky. 

Remove hospital identification barcode. 

Shoulder arms.

Davey Dreamnation
Davey Dreamnation

Davey Dreamnation (1972–?) is an Australalian musician, vocalist, pirate and record-label owner who now lives 'in the third person'.

View his full biography.

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