davey dreamnation

seething since 2001

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New site design

As a temporary cure for my chronic case of inactivity, I’ve switched to the fantabulous Lovecraft WP theme … now, to write a new post or two.

A movie set in the Middle East

Somewhere, someone’s filming a movie set in the Middle East. It’s not the Middle East but we’re led to believe we’re there, in a crowded marketplace, waiting for something to happen. Does that scare you? It’s supposed to. Does it frighten you too? The way documentaries used to?

A criminal mastermind sits in a barbershop, being shaved. This scares me, too. An underling brings bad news. The criminal mastermind waves the barber away, pulls off the white smock, the shaving cream still smeared all over his face. His face half-shaved. I’m scared of that, too.

I no longer frequent markets. I stay home at night, the curtains drawn. It’s like I’m dreaming, or underwater but I’m scared, that’s all. I’m scared of men. This world. Their bright lies dressed as ideas. The rain that makes night. The train that doesn’t stop. That scares me, still.

The questions we refuse to ask. The dreams we refuse to remember. The planes I refused to see streaking across the desert sky. The taxes I ignored as shopping lists slammed into hillsides. Does it scare you? The way documentaries do? I’m scared of the things we pretend we don’t do.

Are you scared yet? I am. I’m stuck in a movie set in the Middle East. Something’s about to happen, but I don’t yet know who to. I look around, and all I see is fear. When the blast comes I’m scared I’ll miss it. I always miss it. People call me timid, but perhaps they’re scared of me too.

Leaves of Glass: the reviews!

Happy new year, everyone! I hope your 2015 turns out to be even better than your 2014. Rather than engage in a Facecrack-style review of ‘my’ 2014—boy, didn’t that one get old quick?—I thought I’d celebrate with a review of the reviews of my book Leaves of Glass. To sum up, despite the fact that 2014 was the first year since 1998 in which I did not have a single poem published, it was nonetheless a great year because five people reviewed my book. And the good news is that they all liked it. Honestly!

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Dead Poem Office (2012)

I hadn’t intended to publish Dead Poem Office in 2007 at all.

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Tabula rasa

Hello, world—it’s Davey here.

It’s been a while. In fact, it’s been a very long time, indeed. But, you know how it goes: things got boring; I changed; you changed; we moved apart. Maybe we were missing that frisson that made this whole caper so untold to start with. Well, it’s time to end all that.

Time for a fresh start. After 12 years, 1200 blog posts, countless bios and ‘about’ pages, hundreds of thousands of words, scores of categories, 850 real comments and billions of spam comments, and hundreds of images, links and in-jokes, this site has become not so much a yoke around my neck as a huge albatross dragging me further and further into the realms of dark space.

So that’s why I’ve decided to unpublish all of my posts, and start again. This doesn’t mean that the posts have actually been ‘disappeared’ but that, for the moment, they’ve been carted off to another dimension, awaiting further instructions. I’ve got big plans for these posts—more on that soon, hopefully. For now, it’s time to revel in the mystical ‘hello, world!’ moment that comes with one’s (new) first post.

Tabula rasa.

Update (31 August 2014): Yeah, well … that seemed like a good idea at the time. All systems back to normal.

Coming soon … ‘Tanto’

Long-term readers may recall that in 2011 I set up a poem newsletter project, ‘Poem of the week!’.

As you may also recall, a total of 22 posts were sent to subscribers during the project’s most active period, between October 2011 and April 2012. These posts were then compiled in a chapbook entitled Tjugotvå – twenty-two poems. I still think it’s a great little book and have my subscribers (around 60 by the time the project wound down) to thank for helping make it possible, through their words of encouragement and our interactions via the newsletter.

Well, two years later I’ve taken the plunge again and decided to once again indulge my ‘inner Swede’, a barely three-year-old creature struggling with Swedish customs and language. Maybe it’s because I’ve signed up for Swedish lessons, but I have a burning urge to write into life the strange world in which I live, where characters with names like ‘Åsa’ really do exist.

Åsa Strålande i ‘Tanto’, a new serial work of fiction, takes place in present-day Stockholm, and features locations and practices that will be familiar to residents of Stockholm but which may seem strange to non-Swedes (as may the dialogue, which is almost exclusively rendered in Swedish). However, the story also features several fictional venues and—needless to say—characters and is suitable for all readers over the age of 18. All you really need to know is that Tantolunden (or Tanto for short) is a park on Södermalm in central Stockholm.

The story will only be sent to those who have subscribed to the newsletter. The first episode of ‘Tantolunden’ will arrive in your inbox shortly. I look forward to sharing this strange and mysterious story with those of you who would care to join me on a journey to … ‘Tantolunden’ …

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36 views of ‘Footprints’

Last year during our travels in Japan we spent some time in Kanazawa. Lovely place, took some beautiful photos there, it was hard to take a bad shot. Anyway, my image gallery from the trip started attracting some interesting comments. One image in particular – a set of footprints painted on a road – seemed to have been singled out for some pretty complimentary responses. Anyway, take a look!

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“Out of petrol”: Kraftwerk på Cirkus

After taking an eternity to write my review of Animal Collective live in concert, I’ve decided to turn over a new leaf and get snappy. So, without further ado, some words and pictures from last week’s Kraftwerk gig at Cirkus in Stockholm.

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I remember Animal Collective

I’ve been writing this post in my head for at least twelve months, and even now I’m not sure I’m ready to publish it. As a consequence of my tardiness, there’s probably very little here on the subject of Animal Collective (AnCo) that’s either current or true. Be that as it may, I also suspect that not having written this post is actually holding me back from writing a stack of other posts that might possess some currency and/or truth. So, here goes.

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‘Born Sandy Devotional’

16 reasons why I will find it hard to go ‘home’ in January 2014 …

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Leaves of Glass: it’s real!

LeavesofGlass_cover front

Yes, in the words of Jersey-based pop band Real Estate, ‘It’s real!’

Seven years in the making.
Trans-continental in its composition.
Green as a blade of grass in its wrapping.

Leaves of Glass is real.

‘But what’s it all about …’ I hear you whisper.

Well, as I’ve explained here and here and here, Leaves of Glass is a book of poems (47 in all) based on actual correspondence between American ‘Dead Poets Society’-inspiration Walt Whitman (W.W.) and Aussie no-hoper poet Bernard O’Dowd (B.O’D.). These two cats wrote letters to each other in the 1890s in which they poured their hearts out to each other and generally raved on.

In fact, to be honest, most of the outpouring and ranting was on the part of B.O’D. For his part, W.W. seems to have enjoyed the attention, and wrote back to B.O’D with a sort of ‘I’m amused but only in a flattered way’ tone, as if he’d known him his whole life. Between them, W.W. and B.O’D. racked up at least twenty letters, although it’s apparent that many of the letters are missing.

All of which possibly does little to explain why I became so fascinated by this weird ‘roaring days’ correspondence. Call me old-fashioned, call me what you will — I guess I just found the whole thing kind of funny and sad at the same time: funny because B.O’D. was so obviously besotted with his ‘revered master’, but sad because the two of them were unlucky enough to have been writing a century too early to benefit from the Internet and email.

Anyway, my book – called Leaves of Glass in homage to Whitman’s Leaves of Grass – takes the correspondence as its cue and features poems about both B.O’D. and W.W. as well as re-writes (cover versions) of their works. It’s published by Puncher and Wattmann and is available via the P&W website and in all good (read: about two) bookstores. Or, if you’d like a signed copy, send me a message.

The first ‘launch’ of the book took place at Bella Union bar, Trades Hall, Melbourne on 1 December. The second will take place at Balmain Town Hall on 14 December. Information about both events can be found here. You can also sign up to attend the Sydney event via the Facebook event page.

Any questions?

36 views of Nihon

With apologies to Hiroshige … a montage of 36 shots taken on our honeymoon in Japan, complete with captions and descriptions.

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Smokin’ Leaves of Glass!

I’m really glad to announce that my second full-length poetry collection, Leaves of Glass, will soon be released by smokin’ Sydney-based publisher Puncher and Wattmann. Long-term readers of this site would know that said collection has taken a few years to finalise but the wait has surely been worth it.

The book, which was inspired by actual correspondence between Walt Whitman and Australian poet Bernard O’Dowd, and which features re-imaginings of both poets’ works, will be available at two P&W events in Melbourne and Sydney in December 2013 – that’s less than two months from now!

I’m also happy to say that I’ll be in attendance at these shindigs in order to read some poemz, sign autographs and mainline champagne. I’ll post more details soon but I’m looking forward to catching up with loverz of all things Whitman, O’Dowd and Oz-po.

In the meantime, here’s a teaser: ‘O Kitteh! Meh Kitteh!’, a LOLCats transliteration of Whitman’s ‘O Captain! My Captain!’ that may or may not appear in the book.

Osaka Castle

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