Yikes! Where did the time go?

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‘Regular’ ‘readers’ of this ‘blog’ would be excused for thinking that I’d fallen under a bus, given the absolute lack of any kind of update for over a month now. But the contrary is true: far from having fallen under a bus, I’m actually – ah, whatever.

The truth is, I haven’t had a whole lot to blog about recently. My new job has occupied a lot of my time, as has socialising with colleagues from said job and, when it comes down to it, who wants to hear how many Jäger shots I’ve had in the last thirty days?

‘And yet’. (I’ll explain the significance of this phrase one day). To answer the question posed by Big Star in the title of their song ‘What’s going ahn?’, I can say the following:

(1) I’ve had an academic article published

Hot on the heels of my post-doc research at BTH in Karlskrona, I’m excited to say that ‘Flash points: Reading electronic literature as a metaphor for creativity’ (PDF), an article I co-wrote with Maria Engberg, has now been published in the latest issue of TEXT Journal. To be exact, it’s a part of a special issue entitled Creativity: Cognitive, social and cultural perspectives, edited by Nigel McLoughlin and Donna Lee Brien. So that’s untold.

(2) I’ve presented a paper in Bristol on the subject of myself. Or, um …

A couple of weeks ago I travelled to Bristol, UK for the final ELMCIP seminar, on the subject of E-literature in/with Performance. I presented a paper entitled Davey Dreamnation and the Performance of Self. Here’s the abstract:

Since 2002 I have maintained a series of personal websites (now amalgamated into one website: daveydreamnation.com) that explore questions of personal identity and performativity through the character of Davey Dreamnation, a failed rockstar and comic alter-ego. The performance of this character (what could be described as a form of avatarism) brings with it various notions of play, irony and humour that are not necessarily often associated with the performance of electronic literature. This presentation seeks to engage with notions of performance of the self with reference to (and critical appraisal of) theoretical notions of performance as expounded by Butler and others. The performance of character in an online space which is heavily mediated by its form (that is, the blog format and its attendant proprietary structures and limitations) raises questions about human interaction with personal websites ‘performing’ as actors in their own right – that is, as co-creators, the performance of which influences other users’ readings of character and identity. This presentation will offer a glimpse into the workings of one such character, with reference to archived screenshots, audio files, text extracts and character analysis, with the aim of offering a humorous yet serious examination of the playfulness of online performativity. The presentation will also take into account and address some of the issues raised in the call for papers, specifically the usefulness of performance studies in blog environments. Finally, both the presentation and the accompanying paper will seek to offer themselves as examples of performance writing about electronic literature.

And here’s a pic of me and Davey during the delivery of the paper:

(3) My poem Övergången has been ‘analysed’ online …

THis is kind of nice. William Fox, who tweets as @readism and who runs a Tumblr of the same name, has written an entry analysing my poem Övergången, from the chapbook of the same name. Have at it:

The authoritative voice works well because it gets at how confidently we can trace the narrative of our social successes these days. It’s therefore no surprise that the poem hits the ground running – the opening line is in dactyls that are promptly broken up by a line break & the more awkward phrase ‘very quickly now’. The smoothness of my own commute is always determined by the extent to which I don’t think about how quickly I want to get it over & done with. On a tram / train this is easily achieved. I think this ‘transition’ is a special case because the poet’s probably walking the streets after dark (‘It’s already too late to plead…’) & more than likely through a city. This makes casual & indifferent mannerisms even more imperative, if only to avoid getting the shit kicked out yourself. It also makes you yearn for the ‘ignorance’ of non-self-consciousness, or to be a ‘special case’ (i.e. to be so deliriously shitfaced that you don’t care if people laugh at you).

Read the rest on your own.

K. So, that’s not bad: three cool things have happened. And here’s three more cool things that are destined to happen at some stage in the future:

(4) My poem ‘Wireless’ is going to be published in Overland

Not much I can say about this right now, except that I’m rather chuffed that Overland poetry ed. peter Minter has chosen this poem for inclusion in that erstwhile journal of the progressive left in Australia. Wireless first appeared on my blog last year. But don’t let that stop you from checking out Overland’s cool new website.

(5) ‘Clouds Afternoon Jazz Sprinkles’ finds a home … of sorts

My poem ‘Clouds Afternoon Jazz Sprinkles’, dedicated to poet Jill Jones, will be appearing soon as part of a special project. And that’s all I’m saying for now.

(6) I’ll be giving a paper at the ELO conference in June

No, not that ELO. I mean the Electronic Literature Organization (ELO) conference, Electrifying Literature: Affordances and Constraints, which is taking place June 20-23 in Morgantown, WV, US of A. My paper, whose semi-absurd title is “Why ‘But is it e-lit?’ is a ridiculous question: the case for online journals as organic, evolving works of digital literature”, will be part of a panel called Practices: Definitions and Pedagogies for E-Lit, and will be delivered at the godless hour of 8:30am on Saturday 23 June. Here’s the abstract:

Cordite Poetry Review (http://cordite.org.au), an Australian journal of poetry and poetics, was founded in 1997 as a print journal but since 2001 has appeared only online. Over the last ten years, as the magazine has grown in size and reach, the question of Cordite’s status as a journal has become more vexed. Can it be regarded as a ‘proper’ literary journal, in the way that other, offline journals are? Is it truly electronic, given the relative absence of works on the site that explore the possibilities of the online space? Or are these merely ridiculous questions, the posing of which reflects a pre-online hierarchy of prestige? Why do these questions exist in the first place? If we assume that any work or collection of works available online is automatically digital in nature, then the issue instead becomes one of whether or not sites like Cordite function as organic, interconnected and hypertextual spaces for creative expression. The inclusion of electronic literature works in the magazine for the first time in 2011 brought into focus the problematic nature of categorization. This presentation will explore the evolving nature of the Cordite site in order to demonstrate the highly complex and sometimes chaotic nature of journals and magazines in the online realm, and to therefore argue for a rejection of the binary characterization of new media literature communities as either ‘electronic’ or ‘static’. In doing so, it is hoped that the presentation will stimulate discussion of the ways in which electronic sites for literature embody the contradictory capacities to organically evolve, mutate and disappear.

I’m looking forward to meeting my fellow-panellists Clara Fernandez-Vara (whose paper is entitled “Electronic Literature for All: Performance in Exhibits and Public Readings”), and Alexandra Saemmer (“The (problematic) issue to evaluate literariness: Digital literature between legitimation and canonization”). I’m also just looking forward to being in a seriously hot and humid place this summer!

So, that’s all for now. Maybe I’ll see you again in a month or so when I’ve got some more news.

KFXBAI.

Stockholm Calling

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Just like a Californian burrito maker, I’ve been preventing myself from spilling the beans by keeping them strictly under wraps (rim-shot!) but now seems as good a moment as any to announce that I will be moving to Stockholm. In ten days.

For the past twelve months I’ve been living and working in Karlskrona, a lovely ex-Naval town in the southern province of Blekinge. It’s certainly been a big change from the three years I spent in the crowded cities of the Netherlands; in fact, the only place I can think of that I can really compare Karlskrona to is Wagga Wagga – although I suspect Wagga has a few more pubs than K-Town, and is probably a little warmer in the winter.

Work-wise, my stint as a post-doctoral researcher as part of the ELMCIP project has challenged my idea of what literature can and should be in a digital context. Despite having been an editor of an online journal for the last eleven years, it wasn’t until I arrived here that I really considered the myriad ways in which electronic literature can engage with readers (players, viewers, users, co-creators).

As a consequence, I consider the most recent issue of Cordite, which features electronic works for the first time, to have been something of a watershed in terms of my own understanding of e-lit. In this context, it was great to be able to interview my colleagues Talan Memmott and Maria Engberg, both of whom have a great deal of knowledge and experience of digital literature and practice.

This year has also been a great one in terms of meeting other researchers and practitioners in the field of electronic literature. I’ve attended conferences in Jyväskylä, Karlskrona, Ljubljana and Amsterdam (where I also gave a paper), and acted as a co-editor of the forthcoming ELMCIP anthology of European electronic literature. I’m also really looking forward to being in Edinburgh for the final ELMCIP conference in November this year.

On a more personal level, it’s been really fun to experience all four distinct seasons here in southern Sweden, from last winter’s extreme snow and blizzards (strangely absent so far this time around), to spring’s slow awakening, summer’s long and glorious days and autumn’s drop-dead multi-spangled beauty. Karlskrona being a town surrounded by water, it’s also been great to see some of the islands in the archipelago, go for walks along deserted rocky beaches and get lost in seemingly endless forests.


Image: Saltö Strand, Karlskrona

Of course, there’s never enough time in life to do everything on one’s personal ‘to-do’ list but I’m glad to say that I have experienced midsummer in all its ‘songs about frogs and drinking snapps’ glory; witnessed the batty antics of graduating high school students riding around town wearing sailor’s caps in the back of trucks; played some awesome games of kubbspel and mini-golf; tried and rejected the taste of sill, glögg and skagentoast; and been a part of the national celebrations when Melodifestivalen winner Eric Saade came third in Eurovision.

Now, as the nation prepares for another crop of Melodifestivalen losers, it’s time for me to move on once more. The good news, however, is that I’ll be moving to Stockholm, the epicentre of Sweden’s bizarre solar system and the home of the Melodifestivalen final. W00t!

In Stockholm I’ll be taking up a position as a research editor with the Stockholm International Peace Research Institute (SIPRI), an organisation which, for those who don’t keep up with these things, has apparently just been ranked second in the 2011 Global Go To Think Tank Index Rankings, just behind the UK’s Chatham House and ahead of Amnesty International, the International Crisis Group and any other (non-US) think-tank you’d care to mention.

I’m excited to be starting a new life in Stockholm, and looking forward to sampling the delights of the city’s bars, restaurants and cafes, as well as the multitude of museums, clubs and cultural activities on offer. Nevertheless, while it’s easy to see that Karlskrona lacks most of these things, I will miss being able to look out the window of my house and see the sea; and I’ll miss the laid-back summer days and the picture-perfect islands of Saltö, Dragsö and Langö.

Then again, if I ever win the lotto, I’m pretty sure that the first thing I’ll do with my squillions of kronor is buy a pretty little stuga somewhere on the archipelago, stock it with all manner of food and drink, and then while away my golden years playing kubb, whittling pieces of wood into ornamental pipes and distilling my own mead. Until then, I will take away many happy memories of Karlskrona, and hope to return again.

Hej då.

Download my chapbook Övergången today!

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‘Övergången’ is the Swedish word for ‘transition’. What better word, then, for a chapbook featuring ten poems originally written in English and translated into Swedish? I published a limited edition of fifty copies of this chapbook in 2011 in preparation for my ‘appearance’ at the Södermalms Poesifestival in Stockholm. Now I’m making it available here for viewing and download. Read Övergången today … tomorrow, next week!

Hourly forecast for Karlskrona (Blekinge, Sweden)

While most of my Australian friends sweat it out in typical summer fashion, here’s what we’ve got to look forward to over the next two days:

  1. Near gale, 15 m/s from south
  2. Near gale, 17 m/s from south
  3. Gale, 19 m/s from south
  4. Gale, 18 m/s from south-southwest
  5. Near gale, 17 m/s from south-southwest
  6. Near gale, 15 m/s from south-southwest
  7. Near gale, 17 m/s from southwest
  8. Near gale, 16 m/s from southwest
  9. Near gale, 16 m/s from southwest
  10. Near gale, 16 m/s from southwest
  11. Near gale, 17 m/s from west-southwest
  12. Gale, 19 m/s from southwest
  13. Strong gale, 21 m/s from west-southwest
  14. Gale, 20 m/s from west-southwest
  15. Gale, 21 m/s from west-southwest
  16. Strong gale, 21 m/s from west-southwest
  17. Gale, 21 m/s from west-southwest
  18. Strong gale, 23 m/s from west-southwest
  19. Strong gale, 24 m/s from west-southwest
  20. Strong gale, 23 m/s from west-southwest
  21. Strong gale, 22 m/s from west-southwest
  22. Gale, 20 m/s from west-southwest
  23. Gale, 19 m/s from west
  24. Gale, 19 m/s from west
  25. Near gale, 17 m/s from west
  26. Near gale, 17 m/s from west
  27. Near gale, 17 m/s from west
  28. Near gale, 16 m/s from west
  29. Near gale, 16 m/s from west
  30. Near gale, 16 m/s from west-southwest
  31. Strong breeze, 14 m/s from west
  32. Strong breeze, 14 m/s from west-southwest