davey dreamnation

seething since 2001

Tag: We Will Disappear (Page 1 of 8)

We Will Disappear finally appears in Europa!

It’s been a long time coming, but copies of my debut poetry collection We Will Disappear have finally landed on these nether shores. Over the fold I’ve posted some pics of the box and its contents. Yays.

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We Will Disappear: the First Anniversary!

It’s a quiet kind of milestone but my book We Will Disappear was launched one year ago this weekend at the Melbourne Writers Festival. Quiet in the sense that I am about ten thousand miles from this year’s MWF, where some class acts and friends will be performing at the MWF Festival Club and elsewhere; a milestone in the sense that one year is a heck of a long time in the life of anyone and everyone, let alone a book. Anyway, just when I was beginning to think that We Will Disappear had fulfilled the prophecy of its own title and had quietly disappeared from the world of people and books, I got a message from an old friend saying:

I bought your book of poems in Brunswick Street last week. I’m really enjoying it. I like the one for the unknown waitress.

And you know, of course this made me feel a lot better. So for those who missed it, here’s “(On the Tomb of) the Unknown Waitress”. Happy birthday “We Will Disappear”!

We Will Disappear reviewed in the Weekend Oztraylian!

My debut poetry collection We Will Disappear has been reviewed in the Weekend Australian, alongside Event, the debut collection from Judith Bishop. The review, by Justin Clemens, was positive about both books, so I’m thrilled! Here’s a snippet:

If Bishop favours the high aesthetic road, Prater — editor of the online journal Cordite Poetry Review — prefers the mass-media superhighway. We Will Disappear pops and buzzes with references to drugs (Dexedrine, grass and cigarettes), military hardware (atom bombs, Semtex, F-15s and Minutemen) and virulent diseases (SARS), not to mention communications technologies, both current and defunct (satellites, radio, daguerreotypes and computer coding). Relentlessly racy, Prater hits hard and fast in his attempts to keep up with the wrenching juggernaut of our times.

Justin Clemens

Woot!

I’ve just checked out Judith’s website and while I think it’s fair to say we’re very different poets, it’s nice to see a review of two books by people born in 1972 in Australia’s only national newspaper! Oh, and in the Year of the Rat, too!

I just wish the Oztraylian would post the review on their website, so that I could link to it. Personally, I had to go through Swinburne’s library homepage to get to it. In any case, I assume a copy of the full review will be available on the papertiger media website in due course.

UPDATE: One other double-plug I forgot to mention before comes from the avant-garde online poetry journal foam:e. In its latest issue, guest editor Louise Waller notes:

Unfortunately foam:e received more books than it is possible to review this issue, but I would like to suggest David Prater’s We Will Disappear published by soi 3 modern poets, and Sue Stanford’s Opal, published by Flat Chat Press are well worth a read.

Thanks Louise! And I can heartily recommend foam:e to all good poets!

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