Tag: Music

“Shoegaze(r)” is more than an early-1990s English pop music genre. Come with me and explore the late 1980s and early 1990s on DDN-808AM … where shuffly beats, baggy trousers and fey looks are provided, plus complimentary NME.

  • OMG I heart Darryl

  • A fictional response to REM’s debut LP album.

  • I’ve been flat out digging through the online archives of the Chris de Burgh website, in particular the vast wealth of information contained within the Man On the Line (MotL) section, wherein Chris personally responds to questions and queries. While, unfortunately, the MoTL section has now been deleted from the website, thanks to the wonderful…

  • I have always been very polite to my fans as long as they understand that there are public moments and private moments. Even on tour I demand my privacy, particularly if I am tired. And I can’t be available to all people all of the time. But I never forget my manners and so far…

  • A little-known fact about this collection is that it was banned in South Africa at the time, due to mentions of the ‘devil’ in the title poem.

  • This ground-breaking collection of poems represents the beginning of what has turned out to be an astounding career.

  • One cloudy day last August, at the Rock En Seine music festival in Paris, me and Kat were lucky enough to see one of my favourite bands, Broken Social Scene, perform to a rapturous crowd in the rain (see the pics here). While we missed the band’s opening numbers, a surge of excitement pulsed through…

  • At last we come to a band who could be considered serious contenders for EP of the 20th century. I’m talking Pavement, I’m talking Watery, Domestic all over town. With a title that’s almost as cool as my brother’s “spartan, militaristic” tag, this EP is a ripper, clocking in at around ten minutes but boy…

  • Now here’s a blast from the past: the Undertones, “Derry’s finest” etc kicked some major label teenage butt in the late 70s, while Wire did the art rock collapse. 1978 saw the Undertones’ first EP, containing the just-not-so-subtly-alluded-to track, “Teenage Kicks”, a track that would see John Peel become their finest spokesperson. Fronted by the…

  • The Fauves

    It’s no secret that I’m a huge fan of The Fauves – just take a look at my interview with lead singer Andrew Cox, featured in the current issue of Cordite. I first got into The Fauves as an undergraduate. My friend Dom had bought their first EP, a woeful effort called This Mood Has…

  • Wir(e)

    As mentioned previously, one definition of an EP is a record whose length is between 10 and 35 minutes. If this was the case (and I think we’re all pretty clear on where I stand re this definition), then Wire’s first three albums would all be considered EPs, despite the fact that each one contains…

  • Don’t get me started about Tumbleweed. Theatre of Gnomes, their first major release, was a five track EP. Enough said. Ask anyone who’s from Wollongong if they’ve heard of Tumbleweed. Then ask them if they’ve heard Theatre of Gnomes. If the answer’s yes, you’ve just discovered a true ‘Weed fan. And of course it was…

  • Enough said. The man is an alien. I’m talking the Station To Station release which for the sake of a technical obsession with record lengths I’m going to call an EP. I ask you: does it get any better than this? One word: “Wild Is the Wind”. Two words: “Station To Station”. Three words: “TVC15”.…

  • Glide

    The sad story of Glide perfectly encapsulates the highs and lows of the early 1990s in Australian music. Glide, fronted by the extraordinary singer-songwriting talents of William Arthur, burst onto the Sydney scene in 1991, releasing two breathtaking EPs – Pretty Mouth in 1991 and the huge Shuffle Off To Buffalo in 1992 – to…

  • Back in the early 1990s ‘The’ Verve were still called Verve, the Charlatans didn’t have a UK tacked onto the end of them and Suede still sucked the big one. Pardon me for sounding monotonous but Verve were further proof that the old ‘the early EPs were great but the later work is like drinking…