Author: David Prater (page 9 of 25)

David Prater is an Australian-born writer, editor and parent. His interests include mince pies, ice hockey and Joy Division.

View his full biography.

Flygskam be damned: my flight-free year

It’s now been over a year since I was last inside an aeroplane. This doesn’t feel like a major milestone at all. Which may have something to do with the fact that most people can’t go inside an aeroplane at the moment either. But I’m writing this post as an act of celebration. Because my flight-free year was an active choice. A choice I’m anything but ashamed of. Flygskam be damned!

Flygskam: pronunciation, definition, translation

You may have heard of a certain buzzword doing the rounds: flygskam. It’s a Swedish word (pronounced fleegh-scamm) that’s often translated as ‘flight-shame’. Not that there’s any real doubt about what it means. But translation can be problematic. Take the Danish word hygge. Something ephemeral gets lost in the English approximation of ‘coziness’. 

The same may be true for flygskam. That could be because the specific type of shame alluded to is Swedish in origin. I don’t mean in the way that an IKEA shelf or Stefan Edberg is Swedish in origin. But does shame operate in a peculiar way in Sweden? What does flygskam means to a Swede? And does that matter? As Mette Kahlin Mcveigh points out:

. . . it is not just Swedes who feel guilty about their carbon footprints: the Finnish have invented lentohapea, the Dutch say vliegschaamte, and the Germans use flugscham.

—Mette Kahlin Mcveigh, foreword to Beyond Flygskam

Staffan Lindberg may have coined (paywalled and in Swedish) the term flygskam in 2017. Greta Thunberg has also used the term as part of her worldwide school strike for climate. Last year flygskam began to attract attention in the usual English-language news outlets. In fact, a simple web search returns thousands of articles on the subject. But few interrogate the ‘Swedishness’ of flight shame. 

So, as I’m also Swedish—yes, hard to imagine, but true—I figure it’s okay if I try to put into words what flygskam means to me. This may be more useful than arguing about the environmental impacts of air travel. And less stressful than doing so in online, below-the-line forums. Not that I’ve had time to do either of those things now that I’m living in a Zen, post-flygskam paradigm. 

The pre-flygskam paradigm: business as usual

This is the part where I run the risk of coming across as either a climate evangelist or a clueless carbon hog. Or both. I’m quite capable of seeing the contradictions in what I’m about to tell you. They no doubt sound familiar to anyone who’s spent a lot of time in crowded departure lounges. Or standing in long security screening queues. Or waiting at baggage carousels.

The thing is, the pre-flygskam me liked to think that the act of flying was a time saver and a great convenience. And in some ways, that’s quite true. It goes without saying that Stockholm–Sydney is a journey that’s quicker by plane. But a whole bunch of other things about that journey tend to go unsaid, too. And if you’ve ever flown, I have no doubt that you know what they are. 

The stress of packing. The night without sleep because you were afraid you might not hear your alarm. The one, two, three or five-hours spent getting to the airport. The queue to check in your luggage. The even longer queues in the security screening area. The guard rummaging through your hand luggage. The abomination that is the only route through a duty-free shop. 

That’s on a good day. On a bad day you can add the flight delayed by a ‘weather event’, or an ‘engine malfunction’ (never good). The departure time you misread because you were in too much of a hurry. Then the sprint to passport control. The mind-numbing idiocy of passport checks. Arriving at the gate, drenched in sweat. Yet another delayed flight. Your child who defecates at the gate. 

Do I sound like I’m whining? Trust me, I’m only getting warmed up. We haven’t even stepped into the plane yet. My point is that I used to think of all this as business as usual. But there’s a problem with that kind of thinking. It discounts or ignores the amount of thinking it takes to get yourself onto that plane. The effort required to not think about how crap it all is. 

George Carlin said it better than I ever could. A ‘near miss’ is a near hit!

Interrogating the in-flight ‘experience’

Because the in-flight experience is garbage. If you’re tall, you’ll do things to your legs even a gymnast wouldn’t try. If you’re short, or small, you’ll end up surrounded by extra-tall people who’ll take your space. And if your bum happens to be even one inch wider than the width of the seat, well, good luck with that. Don’t even get me started on hand luggage or overhead bins.  

Cramming humans into miniature ‘seats’ is an extension of the business-as-usual approach. It’s another one of those things that go without saying. Which means it still needs saying. Otherwise, why are we even here? What’s the upside of this ‘experience’? The time savings? What is your time even worth? Do you have a personal daily rate, based on your own inherent value? 

That coprolitic—but complimentary!—coffee served up by your cheerful cabin attendant? It is not worth your precious time. That in-flight magazine? An advertising fatberg only redeemed by its lack of activity trackers. That plastic-wrapped ‘cookie’ you munched while gazing at the landscape thirty-thousand feet below? Is this what you paid for? Are you enjoying your flight yet?

I’m yet to see the logical end-game of the budget airline philosophy but it can’t be far off. A fuselage interior stripped of all artifice, including seats, overhead bins and toilets. Passengers wearing parachutes, strapped to the walls, watched over by defence force personnel. I’m not sure if it is possible to remove all oxygen from the fuselage, but it would be worth a shot. 

In this scenario, there would no longer be any need for the traditional captain’s address. Flight times, atmospheric conditions—irrelevant. Get me to my destination. Make it quick and cheap. Well, you wanted it; you got it. Now, leap out via a side door into the radiant atmosphere, somewhere over central London. Hope to see you again. Thanks for flying with us. 

Three abandoned aeroplanes covered with illustrative art. Do they feel flygskam too?
Avion De Los Muertos. Photo by AJ Yorio on Unsplash.

The unseen power of guilt and shame 

Here’s another thing that often goes without saying. Shame is a powerful and damaging emotion. Pretty much everyone experiences it at some stage. Quite a few of us also manage to spend a fair bit of time shaming other people during our all-too-brief lifespans. Yeah, shaming is a thing, all right. Flight shaming. Parent shaming. Online shaming. Fat shaming. 

When parents travel with babies on planes, this can provoke the first two types of shaming. If that shaming occurs in an online forum, you might call that the shaming trifecta. And if either or both parents’ bums are too big to fit in the Economy Class seats, well, you’ve come away with the quinella. Go you. Recline that seat of yours as far as you can. We’ll be here all night. Screaming. 

The thing is, I didn’t feel ashamed about flying at all until I had children. Which seems odd, in hindsight. Because I’d spent the previous decade burning through my lifetime personal carbon allocation. And the allocations of quite a few other people who had not yet had an opportunity to step onto an aeroplane. I didn’t feel bad about it at the time. I like to tell myself I had no idea. 

But stepping from the jetway and into a plane with a baby for the first time was a whole new experience. It felt like I was holding a miniature foghorn with no silent mode. Sure, much of the shame I felt was imaginary, or self-inflicted. Why had I even agreed to have this baby in the first place? But as I continued to travel in planes, with one and then two children, that shit started to get real. 

Passengers with infants on long-haul flights are already at a disadvantage. They cannot choose where to sit; the airline allocates their seats for them. In this high-pressure environment, shame is only centimetres away at any given time. Those pensioners who thought they were getting a good seat with extra legroom? Oh no, they’re sitting next to a baby. Why weren’t they warned

It’s the dirty looks. The rolling eyes. Do they have to sit here? The drunk concern-troll ‘congratulating’ you after a 14-hour flight sans screaming. Feel free to foul up the cabin with your complimentary alcohol, mouth-breather! Meanwhile we’re flat out making sure a miniature person doesn’t spoil your ‘journey’. No, don’t thank me. Congratulate me instead. Thank you for flying with us. 

Interrogating shame, parenthood and personal responsibility

This is the sort of shame that once made me feel glad about my own decision to stop flying. At the time, that decision had everything to do with feelings of guilt and shame. Guilt that I was contributing to an environmental catastrophe. Shame that I was implicating my children in it. And a dirty combo of guilty shame about having kids at all. I myself was to blame. For everything.

At first, this made it quite easy to honour my commitment to a flight-free year. I consulted online carbon calculators and managed to survive a long train trip. I delved into the train-based travel writings of Paul Theroux. But then my guilt and shame began to wane. In their place, anger and frustration emerged. Two emotions which, if not resolved, can lead to a form of depression. 

My anger and frustration stemmed from many issues. Only one of these was the supreme selfishness of my airline travel. But I began to feel that my guilt and shame may not have been necessary or useful at all. Did my emotions lead me to make that decision for the wrong reasons? Why beat myself up about my past actions, when I’d already made a decision to act in a different way? 

To be clear: I’ve chosen to have children and to reduce my reliance on air travel. I’m still grappling with the contradictory dynamics of such a choice. Because one aspect of parent shaming is the argument that having kids is bad for the environment. And that it’s much worse than anything else you might ‘do’. In this context, choosing not to travel in aeroplanes becomes irrelevant.  

So, what am I trying to say? That I don’t need to feel bad about my personal choices? That merely attempting to justify my own actions absolves me of responsibility? That the world isn’t overpopulated? That there is no climate emergency? That I’m all right Jack, and get off my lawn? Oh, and by the way, screw everybody who doesn’t think the same way as me on any issue?

Well, if you’ve read this far, you’ve also (I hope) realised that I’m not saying any of those things. What I’m saying is that complex notions of shame and guilt have affected a lot of what I do. Not to mention my feelings about a lot of what I cannot undo. I’m not going to continue making personal decisions based on guilt. But to own these decisions I first need to destroy my shame. 

People standing on a shoreline at sunset. No flygskam here.
Photo by Vishal Davde on Unsplash.

Flygskam be damned: celebrating a flight-free life

At the beginning of this post I wondered how shame operates in Sweden. I don’t know enough to generalise but I suspect it operates the same here as it does everywhere else. Someone does or says something (or else exists). Someone else responds to that. They don’t like it. They want that first person to know that. Then the first person feels bad. This creates shame, which then circulates. 

I’m simplifying, of course. But one could see this process in action on the aningslösa influencers Instagram account. The account (now inactive) called out ‘clueless’ celebrities for their flight emissions. This, of course, generated debate within the Swedish media about the power of shame. In other words, about shame’s usefulness when it comes to changing behaviour. 

A lot of this power, as far as I can see, is imaginary. We hold celebrities to standards we’d never apply to ourselves. And celebrities, in turn, use that freedom in bizarre ways. Thus demonstrating how little attention we should be paying to them in the first place. But we humans are strange beasts. We’ll shame anyone as long as we don’t need to interrogate ourselves. 

I don’t want to make anyone feel good or bad about the decisions I’ve made in my life. I also don’t appreciate anyone attempting to make me feel bad, based on their own decisions. But shame is such an insidious emotion. Even when people try to make me feel good about myself I’m often unsure whether I should believe them. But there’s an easy way out of that miserable labyrinth. 

I’m looking forward to celebrating my flight-free year. I’ll do so in a way that’s appropriate to the scale of the achievement. I plan on not thinking about airlines and flying at all. I don’t need a hashtag to prove I’m right. And when my baby boy—who has never flown on an aeroplane—turns one, I’ll celebrate it all over again. Happy to be, if not grounded, then at the very least on the ground. 

Postscript

How I got through over 2,000 words without mentioning Covid-19 is a mystery to me. But it’s one I’m happy not to bother solving. None of what I have written has anything to do with Covid-19. I do feel for the millions of people now forced to interrogate the value of their own air travel. But I’m pretty sure once this is all over most of us won’t give a shit. Even so, thank you for not flying.  

New front page, liveblogging feature added

Well, despite the seemingly unending flow of posts about Camp Davey it’s been pretty busy around here lately.

In the Intramanet industry we talk about the back end and the front end. While you’ve no doubt been entertained by the travails of Scaramouche, the D/DN boffins have been tinkering away behind the scenes to ensure that you experience the very best of Davey’s international web portal.

That’s why, if you visit the main page, you’ll notice that we’ve implemented a redesign—less is more, after all. Not that anybody ever gets here via the front page, anyway. It’s like a bloody speakeasy in here sometimes—people just waltzing in via the back door, and then wandering off to whichever part of the house they feel like. But, we guess that’s okay, as long as people don’t hang around too long, or leave their mess behind.

But speaking of mess, how tragic that Scaramouche has finally been evicted from Camp Davey? As disheartening as the whole episode was for us, we were also very grateful to be able to liveblog events as they happened, in real time. This was all due to the aforementioned boffins, who installed and configured a copy of Liveblog, a WordPress liveblogging plugin. The plugin itself hasn’t been updated for a while but it still managed to do the trick.

Finally, given the large number of posts on D/DN, and the continuing scourge of link rot, we continue to work behind the scenes to edit, clean up and rejuvenate various posts. However, as there are over 1200 posts to deal with, our efforts are pretty piecemeal, meaning that the quality of the posts varies quite a lot. But we’re hoping that by beginning to assign posts to various authors, and revamping the category taxonomy, we’ll be well on the way to a more streamlined site.

Thanks again for visiting Davey Dreamnation, and stay safe out there.

Ray

it's a shame (about ray? no, just the way
the sunlight hits the window's triple-glaze
revealing all your childrens' fingerprints 
& you thought you'd cleaned it yesterday

that pristine pane never stood a chance 
anyway (you mutter to yourself, leaning in 
to some andante (or was it al dente? never!
solo piano courtesy of a faraway classic fm

station you never knew existed (until now . . . 
you realize the smudge marks are also on 
the outside of the glass (& that hurts, too,
you're powerless against it! shine on, ray!

or was that roy (drop the toy (a little soy?
oh you beautiful (grubby (radiant little boy




Early-1990s UK indie bands: the definitive list

The older I get, the more clear it becomes that I’m a child of the early 1990s. I feel like I grew up with the sounds of early-1990s indie music, most of which came from the UK. So, without further ado, here is my definitive list of the top UK indie bands of the early 1990s.

1. My Bloody Valentine

My Bloody Valentine’s ‘Soon’—this is the ‘radio’ edit of a song originally released on the Glider EP in 1990 and later remixed by Andy Weatherall (RIP).

How does an Irish band formed in the 1980s top a list of 1990s UK indie bands? Well, My Bloody Valentine did an awful lot of indie, over a very long period of time. Most of it in the UK in the early-1990s. In fact, their sophomore album, Loveless, is the pinnacle of early-1990s indie. And if you don’t agree with that, I suspect you shouldn’t be here.

Read my full post about My Bloody Valentine.

2. Ride

Taken from their second EP, Play (1990), Ride’s ‘Like a Daydream’ contained a two-chord riff eerily reminiscent of The Police’s ‘Invisible Sun’ and a continuous guitar solo by Andy Bell that foreshadowed the band’s later descent into Byrds-inspired, self-indulgent noodling.

If you’d asked me in 1990 which band was the greatest exponent of UK indie, I would have said Ride. They released three EPs in the space of eight glorious months in 1990. Their debut album, Nowhere, was a jaw-shuddering statement of intent. Ride set a standard by which critics would later judge all other UK indie bands. Including themselves.

Read my full post about Ride.

3. Lush

Lush’s ‘De-Luxe’, taken from their 1990 EP, Mad Love. It doesn’t get much better than this if you’re a fan of reverb-drenched, early 1990s indie.

Lush provided a melodic antidote to Ride’s ultimate ‘fey’ boy-band aesthetic. Signed to 4AD, the band released two fantastic EPs in 1990. Their debut LP, Spooky, arrived in 1992. Lush’s music was hook-laden, harmonic and edgy. Dare I say ethereal? It doesn’t get much better than this if you’re a fan of reverb-drenched, early-1990s indie.

4. The Stone Roses

The official video for ‘Fools Gold’, which was unfortunately four or five minutes too short.

There was something peculiar about being a fan of UK indie while living in Australia. New music took a while to arrive. That’s why I’m claiming the Stone Roses for the early 1990s. Their influence was massive but delayed. Epic track ‘Fools Gold’ laid the blueprint for the ‘indie-dance crossover’ phenomenon. If only they had left things there, and retired with dignity.

A detail from the Stone Roses’ Collectors Edition 7″ singles box, featuring artwork by guitarist John Squire.

5. Swervedriver

Swervedriver dropped ‘Never Lose That Feeling’ on an unsuspecting listening public in 1992. Fans of the band were in for an even bigger surprise: it had a twin. ‘Never Learn’, a bodacious long-form ‘coda’, featured unironic sax and sheets of reverb-drenched guitars.

Of course, there’s something self-selecting about band lists from a certain era. Sharp-eyed readers may already see a pattern emerging. At least in the kind of early-1990s UK indie bands I deem worthy of writing about. Swervedriver is no exception to my cobbled-together rule. But boy did they know how to shred the early-1990s indie space-time continuum.

Read my full post about Swervedriver.

6. Primal Scream

https://youtu.be/LdXmTJlqvUg
Well, this is handy for those seeking a soundtrack to a theoretical administration of herbal remedies: Primal Scream’s ‘Higher Than the Sun’, from Screamadelica.

Primal Scream, of course, pre-date the 1990s. But there was no missing their influence on the UK indie scene of the early 1990s. They took the best of ecstasy (and acid house) culture and created something unique. We all wanted to get high on music that was all about getting higher than the sun. And that’s where Primal Scream came in.

7. Verve

When ‘Mad’ Richard Ashcroft’s band, Verve, changed its name to The Verve, it signalled the end of a phase in the band’s musical development. ‘All In the Mind’ showcases just what’s possible when you discover that the drugs do actually work.

Back in the early 1990s ‘The’ Verve were still called Verve. They started off as a freewheeling, psychedelic act. Their sound was genuine 1960s heritage in timbre. I mean, it was out of step with everything else going on around them. But they did not care. And that’s why I loved them. Then they changed their name and the rest, as they say, is ‘History’.

Read my full post about Verve.

8. Happy Mondays

Yes, this is Happy Mondays lip-syncing on Top of the Pops in 1989 and yes that is Kirsty MacColl gurning away on the right.

You could say that Happy Mondays, not Guru Josh, invented the early 1990s. Their appearance on Top of the Pops in November 1989 signalled a change of the guard. The fact that this new guard were absolute gurners set the scene for what would be a wild few years. Happy Mondays’ irrepressible hedonism was pivotal in the Madchester scene. Which makes them so early 1990s it hurts.

9. The Charlatans

If Mark Gardener of Ride and Tim Burgess of The Charlatans were somehow able to produce a lovechild, there is a strong possibility that said child’s lips would be larger than the London Eye.

Critics often overlook the Charlatans in favour of other more well known UK indie bands. But the Charlatans chose to bury their hard edges beneath layers of Hammond organ. They reproduced the 1960s aesthetic on their early releases with reverence. And, more than any other band, they embodied the indie-dance crossover phenomenon.

10. The La’s

The adorably mop-topped Lee Mavers of The La’s could have released ‘Timeless Melody’ as a single and then retired, and still have had a greater impact on early-1990s indie than pretty much anybody else.

It may seem ironic to include the La’s in this top 10 list of early-1990s UK indie bands. After all, they’re a band idolised by Oasis. And they only released one album. But the La’s symbolised a spirit that was both hopeful and doomed. Without the La’s, the early 1990s as an historical moment would be meaningless.

1990s UK indie bands: 10 honorary mentions

Top-10 lists are so reductive, doncha think? Well, go tell it on the Intramanet. In the meantime, I’m covering all my bases by making 10 honorary mentions. These bands were indie enough, UK enough and active early enough in the 1990s to count. But I’m not quite ready to write a full paragraph about any of them. Yet.

Teenage Fanclub deserve an entire post of their own. If you took the best bits of the Waterboys and U2, you might get The Wonder Stuff. Huggy Bear were the agit-pop answer to Bikini Kill, and DIY as all get-up. The Stairs made the Stones sound ironic and cool. And Cornershop managed to fight the power and mock Morrissey at the same time.

Slowdive were the quiet/sad-face merchants of shoegaze. Curve adhered to the ‘three EPs followed by an LP’ rule. The Wedding Present released 12 singles in a year and also recorded an album in Ukrainian. Ned’s Atomic Dustbin were worth a listen for the name alone. Oh and Pop Will Eat Itself? Mkai, Grebo.

1990s UK indie bands: dishonorable mentions

No top-10 list would be complete without its anti-list. In this case, there are at least 10 bands I’d never bother listening to again. It may sound harsh, but life’s too short to put oneself through such a wringer.

Thus, I won’t tolerate any discussion of Inspiral Carpets, even if their t-shirts were cool as fuck. Northside were a bit too Hammond for me. Cud, to borrow Shaun Ryder’s immortal phrasing, can go do one. James? I mean, come on. Adorable were up themselves and only half as good as Aussie dream-pop merchants Glide.

I can’t even recall anything The Farm put out. Chapterhouse were borderline Grebo. Moose drifted too far up their own fundament. Birdland were pathetic. I have always despised Manic Street Preachers.

And I couldn’t care less about Carter USM, Revolver, Sultans of Ping FC, Jesus Jones, EMF, Soup Dragons, Mock Turtles, Ocean Colour Scene or The Shamen. Got that?

So, where to from here?

To celebrate the 30th anniversary of the birth of UK indie, I’m planning a series of posts over the coming weeks and months. In the first of these posts, I make clear why the early 1990s ended with the release of Oasis’ Definitely Maybe.

In subsequent posts I’ll explore the musical careers of my own personal top 10 early-1990s UK indie bands. Stay tuned, as they say. Until then, please feel free to leave a comment below. Or message me with your thoughts on early-1990s UK indie!

The herculean task of remembering all the 1990s UK indie band names ever

Back in 2011, I took one of my many trips down Amnesia Lane. A little bit like this one, in fact. I decided to create a list of all the great UK indie bands from the early 1990s. The problem was, I wasn’t an expert at all, and I’d never lived in the UK.

But who needs Wikipedia? I had a whole bunch of friends on Facebook who were all alive at the time. They were also going through more-or-less the same stages of sentimentality and nostalgia. Why not ask them?

A detail from the original Facebook post. I invited friends to nominate their favourite early-1990s UK indie bands. Over the course of several hundred comments, the standard of the nominations deteriorated. Then again, given that Cud came up so early, you could say the entire exercise was a fail from the outset.

So, I opened up the comments on a Facebook post, and together we came up with a list of over 100 bands. 100 is too big a number for what was an obscure moment in musical history.

Besides, many of the bands nominated were not actually indie, UK-based, or active in the early 1990s.

Others were shit so I excluded them with no regrets whatsoever. But, in the interests of scientific objectivity, I am reproducing the entire list here. Perhaps, one day, someone will come up with a more detailed and informative version. Oh, wait.

A screenshot from a 2011 Facebook thread in which users listed UK indie bands from the 1990s.
A screenshot from a 2011 Facebook thread in which users listed UK indie bands from the 1990s. Anonymised to protect the not-so-innocent.