One-hundred and five candles

 i.m. Mary Fitzgerald Hurley (1905-2010)


They say the first one is invis­i­ble,
you only feel its heat. It’s shin­ing
some­where out in space — or is it
the womb — where love is a can­dle
in the dark, cre­ated by a spark of

some­thing felt though never seen.
The next one, then, is num­ber two
but we’ll call it one so that you can
light it again, a red can­dle per­haps
or a candy-twist pink. By this time

you grasp & grab at con­scious­ness,
 at these appari­tions that re-appear,
reg­u­larly, and each time in greater
num­bers: three, four, five candles.
The sym­me­try of six demands your

grudg­ing respect, which is fur­ther
whet by num­ber seven, or heaven.
Nine revolv­ing bod­ies in a child’s
plan­e­tar­ium, then the ten’s maudlin
return to its begin­ning: a one & a

zero, together, on the same cake.
Com­pared to this, eleven’s a breeze.
By now, you’ve grasped the basic
terms of the deal: some­one lights
the can­dles, then you just sit back,

pre­tend­ing to count stars. Twelve
can­dles brings you a dozen roses
which you’re too young to blow out.
From thir­teen onwards it’s all a blur.
The teenage can­dles, a sound­track

fea­tur­ing a style of music no one
over the age of eigh­teen even hears.
Nineteen’s similar to the invis­i­ble
one we touched on at the start, only
warmer, and full of beer. Twenty

brings us back to ten, which is to say
the decade, ready-made. By this stage
you view the whole can­dle thing with
unaf­fected dis­dain, although you still
pro­tect your own like a bird its brood

every time what you know will come
comes around. To move on to candles
in their thir­ties is to doc­u­ment a series
of increas­ingly intel­li­gent — no, bril­liant —
cru­sades against the light­ing of those

can­dles which are yet to come. When
you think of light­ing forty can­dles, by
your­self, in a dark room alone, a weird
kind of uneasi­ness comes over you.
Thence­forth, every year for at least a

decade, you light those can­dles with
the minia­ture flame thrower some­one
once gave you as a present. For the
bar­be­cue, you remem­ber. The can­dles,
dipped in kerosene, sing in delight as

you make your big light-sabre sweep.
From sixty onwards, you expe­ri­ence
what it’s like to be caught inside some
cheer­ful wax­work mon­tage, sixty-two
and sixty-three, espe­cially, arous­ing your

long-forgotten enthu­si­asm for years
spent set­ting stuff on fire. Seventies?
Don’t speak of the sev­en­ties can­dles, you
don’t want to hear. The late sev­en­ties,
though — there’s a film, right there, in

sev­enty-eight or sev­enty-nine candles.
The golden glow of eighty can­dles, set
on fire, burn­ing right through the night.
The triple-zero birth­day cake, a dou­ble
one next to another big zero. You alone

get it: the invis­i­ble can­dle, stage left,
wear­ing a hat that’s com­pletely green.
The six­ties mon­tage reap­pears right at
the end of the eighty-ninth, spoil­ing an
oth­er­wise flaw­less run of candle-lighting

cer­e­monies that some­one should have
filmed, had the means to do so existed
at the time. Ninety and ninety-one, to
their credit, pro­ceed with­out a hitch.
Then you hit ninety-two & you notice

that some­one else lights the ghastly
things now, and you don’t even mind,
par­tic­u­larly. You review the wis­dom of
this while sit­ting com­fort­ably on ninety-
seven, & the ninety-eighth doesn’t hurt

a bit. You occupy your ninety-ninth like
a remote eagle its eyrie, watching over
the abstract world two miles below you.
When you hit the big igni­tion switch that
will set in motion a slow-combustion of

one-hundred mile-high candles you’re
already in heaven. The immen­sity of that
agri­cul­tural slog over mid-on seems so
easy that you’re light­ing the next one as
we speak, dis­patching the following three

with ease, spank­ing a radi­ant thrill of love
into each of those one-hun­dred & four
can­dles, etch­ing their flames into space
& then set­tling again on your still-warm
eyrie, to sur­vey an earth par­secs below.

The can­dles, clearly, will not be denied
their even­tual vic­tory for much longer.
You, for your part, feel no fear. Softly,
all in one moment, you realise some­one
has blown the hun­dred & fifth one out.

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