Category: Clint Bo Dean (page 4 of 5)

Clint Bo Dean, the world’s most private poet, possesses Australasia’s worst wig and proudly maintains that his influences include Enya, Stevie Nicks, Andrew Lloyd Webber, Chris de Burgh, Elton John, Arcadia, Cat Stevens, Noiseworks, Boom Crash Opera, Big Pig, Wa Wa Nee and Stryper. Perhaps unsurprisingly, Clint was born under the influence of narcotics in the Bahamas in 2004. Despite his penchant for interpretative dance, Clint has so far failed in his stated career aim of joining the Bolshoi Ballet. He spends most of his time penning ridiculously grandiose orchestral arrangements for two flugel horns and one triangle. Clint’s debut DNRC single, Private Poet, was judged a form of torture by the International Criminal Court and subsequently banned from use in Australasian jails. His breakthrough album, Never Go Ashtray, violated several international whaling protocols.

Notes Towards An Airpoet Novel (3)

Clint Bo Dean drifted out of sleep, like a grand human idea approaching its fulfillment in an age of machines. A Minitel unit was twiddling in the husked gloom of his Hotel Formule 1 cubicle – a shining, chortling sound not unlike that of his own brain in neutral. He stumbled out of his bunk bed, reaching for his PLO as his mind instructed the bedside lamp to turn itself on. Staring obsessively at these all-too-familiar surroundings, he saw a plush Renaissance bunk bed with Louis XVI coverlets, hand-concreted walls, and a colossal bag that turned out to belong to his colleague, Enya de Burgh, who was also careering about the room, half-naked, trying to pull her brassiere from underneath his foot.

Where the hell are we?

The black and white chequered bathrobe hanging on the bunk-bed post bore the monogram: Hotel Formule 1 – Dandenong.

Infuriatingly and colossally, the fog of unknowing began to lift.

Bo Dean finally engaged his PLO.

“Saluton?”

“Monsieur Bo Dean?” a strange man’s voice barked. “I trust I have not disturbed you and your frankly very attractive colleague?”

Dazed, Clint looked at the ceiling clock. It was 12:32 A.M. He had been asleep for twenty six hours, but he felt like a million dollars. Which was odd. Memories of his triumphantly orgiastic liaison with Enya flooded back into his pelvis, forcing him to sit quietly on the lower bunk.

“Shoot.”

“This is the Hotel Formule 1 security office, monsieur. I would apologize for this late call however you have a visitor. He insists it is urgent.”

Bo Dean’s tongue still felt furry. His eyes focused now on an empty condom packet on the floor. Beside it was a flier advertising some talk or other:

THE DANDENONG RANGES YOUNG POETS GROUP PRESENTS
CLINT BO DEAN, AIR POET FIRST CLASS
(AND SUPER SPUNK)

The last line, Bo Dean could see, had been written in pencil. Enya, who had been watching him closely, began to snigger.

Bo Dean groaned. The lecture – a Powerpoint presentation on the French Symbolistes and their influence on Australian poetry – had possibly tugged on a few forelocks in his (large) audience. More likely, some European poetry expert had followed the two of them back to the Formule 1 in order to get his rocks off.

“I’m sorry,” Bo Dean said, “but we’re very shagged and-”

“Mais monsieur,” the security guard pressed in perfect French, lowering his voice to a conspiratorial whisper. “Your guest is an important man.”

“Who is he? And why are you speaking to me in French?”

It was merely a rhetorical question. Bo Dean had little doubt. His books on the vacuous nature of today’s airport novels were seen by most within the shady vanity press industry as the thin edge of the wedge. His inflammatory views on Wilbur Smith, JK Rowlings and others had made him a reluctant celebrity in the poetry world – a hero to some, in fact – and in the last year or so Bo Dean’s visibility had increased a hundred-fold after his involvement in a widely publicized incident at the Booker Prize awards ceremony. Since then, his stream of consciousness rants against the publishing industry had prompted historians and art buffs to begin hailing him as a modern day guru. Fame, it seemed, was never-ending.

” Mais monsieur, he says his name is Dan Brown.”

“If you would be so kind,” Bo Dean said, also doing his best to sound French, “could you take the man’s Minitel number, and tell him I’ll try to email him before I leave Dandenong tomorrow? Merci.”

He hung up before the security guard had a chance to say that Mr Brown was already on his way up.


Captain Enron threw down the sheaf of type-written pages on his desk, while Bo Dean looked on impassively.

“So. Chief, what seems to be the problem?”

“Bo Dean, you know very well what the problem is. This story is a direct rip-off of The Da Vinci Code.”

“And?”

“AND POSSESSION OF ANY OF HIS BOOKS HAS BEEN BANNED BY LEGISLATION SINCE 2006!”

“I KNOW, AND THAT’S WHY I DOWNLOADED THE FIRST CHAPTER LEGALLY FROM MINITEL!.”

With a withering look, Enron signalled for the guards to take Bo Dean’s earplugs out.

ìBo Dean, let me make myself clear: Minitel is a French technology utilizing phone lines to provide Internet services to householders. It cannot be used in Australia. You have therefore downloaded The Da Vinci Code from the Internet illegally. You are fully aware of the penalties for possession of such a tract, even in electronic form. Would you mind explaining to me, in twenty words or less, what the hell you think youíre playing at?

ìWell, okay, surely even you remember how people went berserk over that book when it first came out? It seemed a shame not to make it more, I donít know, relevant to todayís airpoets? Like, relating it back to poetry and so on? Kind of po-mo. Somebody help me here.î

ìThat was fifty words.î

ìYouíre good with numbers.î

ìBo Dean, this is even worse than the original. Whereís the flair, the rhythm, the rhyme that your generation claims to possess? Whereís the feeling?î

ìBoss, are you in love, by any chance?î

The look that Captain Enron gave Bo Dean at that moment could have boiled milk. Clint, however, was looking out the window. Enron turned instead to Enya.

ìAnd you, Ms de Burgh?î

ìCaptain?î

ìWhat have you got to say for yourself?î

ìTwo words.î

ìWell, let me read you something we found in your locker and then weíll see if youíre feeling a little more chirpy, hmm?î

The Captain turned to a second pile of papers and again commenced reading aloud.

Notes Towards An Airpoet Novel (2)

AFTER HOSING DOWN their uniforms and supervising the hideous clean-up task, de Burgh and Bo Dean caught a cab back to the city for their de-briefing. It would have been easier to take one of their own cars back but as both were now in a long-term parking lot, it was easier to catch a cab and charge it to HQ. Besides, they’d be back on duty by nightfall anyway ñ Enya would be heading skywards for Vanuatu as a plain clothes officer, while Bo Dean hoped to join in the sniffer-dog training being conducted at a secret carousel location.

“Well,” Enya sighed, as the cab sped past the old Fairfax newspaper factory, now a reconverted printing press for POD poetry titles, “that was enough gory detail for me.”

“Yeah,” Bo Dean muttered, “and a damn shame too.”

“Meaning?”

“She could have led us right to the heart of the whole trash novel cottage industry, you know? Ever since it went underground they’re getting harder to catch.”

“Well, if you ask me, that woman’s little stunt was free advertising for us. JC said he found about a dozen Wilbur Smiths in the men’s – ”

“Yeah well JC’s just a can-snoop. The whole world’s full of these books, you can’t say that some woman blowing herself up sends a message to anyone, let alone passengers at an airport.”

“Clint, that’s exactly what I’m saying.”

“Oh.”

They fell silent for a moment, slightly mesmerized, as the cab passed what used to be the Citylink cheese stick, now covered with the words of a poem by Oodgeroo. The driver accelerated past the Flemington Road turnoff and entered the giant pantoun superstructure that transformed the sounds of traffic into villanelles for the listening pleasure of the Kensington public housing tenants. Bo Dean remembered his first gig as a poet had been held there, inside the housing estate, in front of an audience of several thousand.

“What’s on your mind, Clint?” Enya asked.

“I can feel a poem coming on.”

“Oh, wow. Can I hear it?”

“Sure. Driver, change of plans. We’re going back to the airport. To the Hotel Formule 1.”

Enya grinned.

“All class.”

Bo Dean grabbed his Personal Life Organiser from inside the standard AP issue canvas bag and began to interface with the Hotel Formule 1 online system, booking a room with two bunks. Then he switched his PLO over to the AP mainframe, and let his superiors know via a browned-out microwavable thought pattern that he and Enya would be an hour late for their debrief.

Almost instantly Captain Enron was on the visuals, his cauliflower nose, a product of a lifetime of drinking sherry, butting almost through the holographic screen.

“Bo Dean, you tell that cab driver to turn around right now. We’ve got no time for your poetry readings in bunk bed rooms. Hell, if you were in France, I’m sure you’d be ordering the buffet dinner too about now. As it is, you’re in Melbourne, and we need you here for that debrief.”

“But Captain, I think we actually need a bit of time out after this one. The woman blew her own head off with a Colleen McCullough! Jeez, I think a buffet meal would be the least I could expect! Lucky for you that’s a Euro-only deal, hey.”

“Look, their rooms may be modern and cleverly designed. They may contain a double bed and a bunk, a washbasin and mirror, a corner table, a TV for viewing national channels and, in France, Canal+ and Sports+. The toilets and showers may be located just outside the room. The showers may be spacious, spotless, and well equipped, with a dry area for toiletries and clothing. But all of that being said Bo Dean, we’ve got a crisis here.”

Bo Dean sighed. It always ended up like this.

“Shoot.”

“Well, it looks like we’ve got an infiltration of Dan Brown readers in the Air Poet training program.”

“You mean ñ ”

“That’s exactly what I mean. We’ve found some evidence ñ ”

“Evidence?”

“Yes, some early drafts of what looks like a plagiarised version of The Da Vinci Code. The Chief says you might like to have a look at this one personally.”

“Really? Why me?”

“Because it was found in your locker, toilet head!”

Oh,” Bo Dean said, turning pale this time.

Notes Towards An Airpoet Novel (1)

CLINT BO DEAN ran his finger along the zipper of the middle-aged woman’s travel bag.

îLooks like you’ve got a lot of reading ahead of you, ma’am! Anything you can recommend in here?î

The woman’s harried look gave Bo Dean pause; however he kept on with his goofish routine, in the hope that she’d save him the trouble of actually going through the stuff.

“Well, there’s the new Dorothy Porter best-of!”

“Of course!”

“A-and, maybe one or two debuts, you know, chapbooks, just off the press.”

“Anyone I might have heard of?”

“Um, this guy called Murray?”

“Les Murray?”

“Yeah, he’s pretty good. Quite promising stuff, actually.”

Bo Dean sighed. He felt like starting off this next phase of the interrogation with a line like “You disappoint me Ö” or his old favourite, “You have failed me for the last time, AdmiralÖ”

Instead he signalled for his fellow Air Poet, Enya de Burgh (no relation), to cease her own random bag checks and join him at the inspection counter. A line of relieved looking travellers picked up their bags and filed, in an orderly fashion, towards their departure gates.

“Sir,” Enya said, matter-of-factly.

“Enya,” Bo Dean whispered, pulling his colleague out of earshot of the increasingly nervous woman, “I’d like you to witness this.”

“Anything suspicious, sir?”

“Well, of course, it’s too early to tell. But I think we may have a Dan Brown reader on our hands.”

“Oh, for Christís sake. I thought that guy went down the vanity press route years ago.”

“Well, you know these self-publishers!”

“Yeah!”

Enya ‘s grin betrayed her own excitement. They hadn’t had a bust like this one in weeks. In fact, things here at the airport had become increasingly dull, inversely proportional to the amount of poetic diversionary material making its way back into the popular culture. The number of trashy self-help books, sci-fi novels and conspiracy theory expositions had steadily declined, leaving the airport retailers no choice but to go along with the Air Poet revolution. Now these formerly trade outlets stocked only the latest releases by both local and international poets, in attractive and harmonious displays. Passengers barely dared to board their flights without purchasing one or two of these immaculately presented and reasonably priced books, for fear of an immediate cavity search or ñ worse ñ an Air Poet raid, like this one.

This subservience made Clint and Enya’s jobs boring for the most part, though they of course did not complain, being busy writing their own debut collections in their spare time, and having exchanged chapbooks only just last week. Their relationship, if one could call it that, showed signs of moving beyond the end of the line, and into that hazy space known to poets as enjambment, where anything can happen.

But wow, a Dan Brown! Most Air Poets only dreamed of such a score! Mixed in with Bo Dean’s excitement, however, was a feeling of slight revulsion. There was something about the kind of paper these publishers used that set off an allergic reaction in his palms and he didn’t like touching the damned things one bit. Hence Enya’s role in this particular bust.

“Okay ma’am, we’ll just have to open this one up. If you don’t mind.”

Bo Dean motioned for Enya to begin taking the so-called poetry books from the woman’s vast and cavernous bag. To her credit, the first two were indeed debut collections ñ a couple of young Queenslanders whose poetry, even he could see from the over-sized testimonials, “sizzled” with tropical heat, “redolent of peanuts and bananas Ö”, making at least one of them “amongst the five or seven best poets of her still-emerging generation Ö” ñ but as for Porter’s best-of and Murray’s so-called first book, well, you know the drill.

“Ma’am, I’m saddened to inform you that your possession of not one but four Dan Brown novels leaves me with no choice but to detain you under the provisions of the Air Safety (Poetry Reclamation) Act 2016. Would you please remove your overcoat? I have reason to suspect that you may be hiding more embargoed items there.”

“Oh all right,” the woman muttered, digging out a thick book that claimed to explain, even better than Brown could, the perverse sexual habits of Jesus and his disciples.

“And the ñ”

“Okay, okay!”

Clint Bo Dean snickered with glee as the woman pulled out first a Harry Potter omnibus and then a battered Michael Crichton.

“This way, ma’am.”

Before Bo Dean could caution the woman further, however, she kicked him in his left leg and then somehow managed to pull a large hard-cover book from under her blouse. The book, a barely disguised copy of The Thorn Birds, suddenly exploded in her hands, ripping her torso from the rest of her body, and turning what was left of her once-proud face into mincemeat.

Some of my many secrets …

I am bad. I can sing. My number is 83. Starlight Express. Mono recordings of my sleep patterns. Josie. The ‘Sippi Hole. Spurt. Tab Cola. Mumps. Knee-high white sports socks. National Geographic World (kids’ version). Maps of Mexico. Yucatan. A shiny red bicycle with a rear reflector the size of a saucepan. Nissan cars with brake lights like hot plates. She went out with me but we never spoke. I didn’t kiss her at the Blue Light. I once overheard. Speedos. Behind the scenes at the Arcadia film clip. Money for Nothing headband. Seven Seas Stamps. Magic tricks. Sea Monkeys suck. Richie Rich comics. Caspar, where are you now. We need. I am Sting on the cover of Dream of the Blue Turtles. Dream of the Blue Pipe Cleaners. Compton’s encyclopedia. Minus Volume A. Tubular Bells. Sky. Kate Ceberano. Young Boys Are Her Weakness. That’s why.

Hey Kids …

Come ere, your uncle Clint wants to say something to ya. This is a heads up, okay, and I’m not gunna repeat anything so this is thinking time, right? Right. Shoulders back. Heads up, backs straight. Knees pressed together, shoelaces tied separately. Eyes open, mouth shut. Pencils down, balloons up. Please use graph paper for all notes. Clag has been dispensed. Today’s tuckshop menu has been cancelled. Complimentary apricot delights will be administered prior to your polio injections. Girls, boys. Attention, please. This will only take a moment. Why are you not wearing your sports uniform? I’m not interested in whether you got dacked at the school assembly or not. It serves you right for wearing leopard print underpants to school in the first place. The silkworm experiment has been declared a complete failure. As an alternative, you will all be involved in the painting of a large-scale mural on the side of the Myer building. Most of our work will be done under cover of darkness. I’m sure you know why that is, so don’t ask. That’s called rhetoric. We don’t have time to explore the many levels of irony today, children. Please turn to page (x) of whatever John Marsden book we’re reading at the moment. Yes, that one will do. Right. It’s time for a bit of U.S.S.R. Not a peep out of any of you for a good half-hour. All right, you can go to the bubblers. Walk, please. That’s not good enough, you’ll have to wait. I don’t know. What? Yes, that’s right, what he said. Books open please. Mouths shut. Where are you going? No, no, no. Detention is this afternoon. We’ll be there for as long as it takes. I don’t have anything better to do.