Category: Buddha Machine (page 1 of 2)

The Buddha Machine is an ambient music player that features eight different loops in an attractive (in my instance, hot pink) casing.

“Pretender” (after Madonna Ciccone)

I may have a thousand hands
but that doesn't make me a Bodhisattva -
in fact, the only things my hands are good for
are mundane things, practical tasks,
not spiritual enlightenment. 

I use my thousand hands to play
five hundred games of solitaire against myself
and whenever I win the cards cascade
like a waterfall of poker chips 
built by a fake Buddha.

You see, I'm just pretending to have a thousand hands. 

When I'm alone, I amuse myself by
shaking my own imaginary hands,
slapping myself on the back one thousand times,
squeezing my one thousand fabricated zits,
picking my nose by shoving five hundred
index fingers inside each of my gigantic nostrils.

In short, I am a pretender. 

You should have stopped listening
or walked out while you had the chance. 
You should have listened to Madonna.
You should have told me where to go
but it's too late now.

As witnesses to my pretence you too are pretending
to breathe, acting as if you are alive,
wanting to believe that this is poetry
and not some pathetic charade. 

I own one thousand llamas
but each of them answers to the name "Scaramouche".
This might lead you to believe that each of these
one thousand llamas is in fact an illusion, a chimera.
But don't be fooled - 
they don't call me a llama wrangler for nothing. 

Just like Heath Ledger in Brokeback Mountain
I'm pretending to be a cowboy,
willing myself to believe that I am in fact gay.

I have one thousand gay friends.
Some of my best llamas are gay. 
We are all gay, only some of us are pretending 
to be ambivalent.

Scaramouche is the name of my favourite llama.
Scaramouche may well be a Bodhisattva. 
Maybe in his next incarnation, 
Scaramouche will be reborn as a pretend llama,
pretending to be gay. 

Or perhaps I'm just making that up. 

When I think of Madonna, I think of
a thousand virgins who are not actually virgins. 
In fact, they are only acting like virgins.
In other words, pretending to be touched
for the very first time. 

If you ask me, all virgins are fakes. 
Or maybe I'm just pretending not to realise
I said that last statement out loud. 

Either way, we're all as fake as cubic zirconias
in a world that's full of rubies. 
Would you rather be a ruby or a cubic zirconia
pretending to be a diamond? 

I predict that you will find my question
puzzling, if not slightly odd.

Who is this guy? 
Is his name on the program?
I thought this was some kind of tribute to Madonna?

To which I reply: even Madonna is pretending 
to be the Virgin Mary. And who knows,
maybe she's fake too. 

I may have a thousand names 
but they all rhyme with the word "pretender".
I write "request for tender", while at the same time
resisting the temptation to return this pretender 
to sender. I'm a gender-bender. 
I'm bananas in a blender. I despise 
imitation fenders. Does that make sense?

I'm a lover, not a mender. This poem
has been rendered obsolete. 
I'd rather write "request for tenderness".
I'm a beginner, not an ender. 
I like Larry Emdur. He's no pretender.
He's the real deal. I should have told him
while I had the chance. 

Instead, I'm standing here playing solitaire
with your minds. Now I'm playing Old Maid. 
And maybe that's who Madonna's pretending to be. 
Old Madge, in a leotard, playing patience
with the future. And she's losing every time. 

She should have called "barley" while she had 
the chance. But she didn't, and that's why 
I'm standing here pretending to be a poet tonight. 

Pretty good, huh? Not bad for a thousand-handed,
llama-wrangling, solitaire-playing virgin from
an island in the stream of consciousness.

I may have no idea what's really happening here
but at least I'm not pretending that it matters.
It doesn't. Well, actually, it does. 

But let's pretend I never said that. In fact,
let's pretend I never got up here at all. 


First performed live at Liner Notes Volume 3,
Bar Open, Wednesday 20 February 2008.

five buddha machine

Past Buddha in a green waterfall making music from the falling drops. Spinning on a small rock, talking to a turtle. Red doves pecking at grains of sand on the little beach. That effortless river flowing backwards through stillness and fire. Gauze of the waterfall’s spray in the surrounding air, a song whose chorus fades out just before completion, the refreshing loop and gurgle of memories floating away. Leaf boats on the surface of the water, the honey-coloured rocks lending the stream a sheen of treacle or molasses, reeds shimmying in the submarine breeze.

Present Buddha sitting in a glade for several seconds, then gone to perch like a ladybird on a wet leaf. An eyedrop rolling down the chasm of the upturned leaf, a pinball in the fern’s erratic machine. Watching loneliness float away like a trail of smoke in the glade. Buddha was just there. The scent of sugarcane burning through the night. The manic energy of that desire in the dark. Candles of skin. Miniature whirlpools and short, sharp cracks. The earth rolling over. Poisonous berries growing from sunset-coloured fungi. Entropy, the waterfall’s big wheel.

Future Buddha on a plain immense, a turtle mountain, scanning the horizon for gold, or a rainbow. Fingers playing with tiny wheels. Setting soft cogs in motion. Observe the effects: a day comes rushing like a myth, backwards, from the mouth of Buddha, a little sparrow. That universal whistle blowing through space, through your eyes. I watch and say nothing, for my heart is too busy telling me, with each trembling thump, just how constant is that friend called time, and how determined its inevitable foes. Sand falls from the sky in diamonds.

machine four buddha

And I saw a field of Buddhas and there you were, running fast up a hill, laughing. And I saw you laughing and my heart burst, like a small block of granite beneath a sculptor’s chisel, a million shards of myself flying through the air. And my heart burst and I saw us running down a hill, towards another field, into the exploding afternoon. And I saw us running and I saw that we were laughing, trying to hold hands as we ran, falling over each other in the grass. And we were falling over each other like we were on the moon, in exquisite slow motion and full colour.

And then I felt the long ache of our addiction and the tingling of you in my veins and I was crying. And the tingling of you in my veins made me run as fast as I could towards the moon. And I ran as fast as I could and you were there, breathing in the lunar dew. And you were there, holding out your arms, laughing at the faraway earth with long and bursting laughs. And the earth was as faraway as old sadnesses, a photo we might have looked at once but no longer find necessary. And the photos got old but we never did, laughing and running through green snow.

And the field of Buddhas began to run towards us, slowly at first but with gathering speed. And they were slow at first but they soon sped up, falling over us as we ran together through that mint green field of tomorrow. And we fell all over each other in that green field of sunshine and explosions, laughing at ourselves and poking fun at Buddha. And we poked fun at Buddha because we were invincible, standing there in the future valley. And we were invincible because we were both there, holding onto each other as the moon fell out of the electric time machine sky.

buddha three machine

This one’s a secret, between us three. You, me and Buddha – our secret machine. A dim machine with four long limbs, two hearts and one desire. Explodes upon impact with water or fire. A new machine in time, its discernable hum. The clock that will not lock, an horizon’s tilt. A pink smoke machine, a bubble-gum vending Buddha. Lights go out around the world. Someone asks a question but it’s only “what?” – we’re looking for a “wow”. And that’s not even a question.

This one’s a secret, between you and me. There’s no one else listening, and the hotel’s open. I have an interview with the manager. In my mind she’s tall, though I haven’t met her yet. I’m still carrying the machine with me – though I know it’ll trigger palpitations in passers-by, strong motion in pavements and maybe even innovation in poetry. Powerful machine! Drilling stacks, plasmic karma, ornamental crushes. Through the gates of doom, blindfolded and shining!

This is the secret that you told me. Something about an exploding pink Buddha, replete with hums. Something you found under your bed and sent to Buddha in the mail. Delivered to me by mistake or Buddha’s intervention. Forwarded to me, on a sea of single and return tickets. Trying to understand instructions written in a language neither yours nor mine but something close to both of them. The language of tiny numbers. Lonely sound of Buddha counting down the secret days.