Archives (page 7 of 271)

Line dancing with Matthew Rhys

I just want to die at that moment in
The Americans when Matthew Rhys (or

should I say Philip, a Russian double-
agent whose actual name is Mischa 

line dances in a crowded country & 
western bar somewhere in Virginia,

alone but somehow at home, at last.
Is it something about his careful joy,

or his brand-new, clunky suede boots?
Thumbs hooked in the too-tight jeans,

the hand claps, swivels, furtive glances?
Whatever the reason, I’ll die right here,

thx. The instant Mischa turns to see
an American woman coax her husband

(who could be Benjamin Netanyahu
onto the dance floor, oh-so-reluctant,

we realize something about dancing &
about love, how some just don’t get it

(unlike Mischa, who knows the moves,
who has found his place, here, at last.

Kill me so I don’t have to live beyond
this scene, in which lines fall into place,

in which bodies become honky-tonk,
in which music becomes lines of words.

I don’t mind being strangled or shot,
as long as Mischa’s the one doing it, &

like I said, make it right after this scene,
pls & thx. Oh & Mischa: forget me when

you leave this bar. Extract peanut shells
from the soles of those boots & walk on.

Don’t look back as you exit the cubicle
where my crumpled body lies. It’s okay.

I can take a new form, whichever you like.
I could be your cowboy hat, or the horse

you rode in on. Just say the word, Mischa.
It’s dark in here. Light up my line. Dance.

The Editor

The Editor is a pulp-action thriller about an elite editorial freelancer who takes on a big assignment for a super-secret branch of the US intelligence services. The job involves multiple authors, nested revisions, thousands of reviewer comments and a mysterious style guide.

Our hero, who is both linguistically and editorially ripped, operates at a level above and beyond most editors, employing a fiendishly elaborate armada of macros, speed-reading techniques and version-control software before even reading the source text.

Rich and humorous detail is provided by a dedicated squad of copywriters, proofreaders and spellcheckers who assist the editor by performing the referencing grunt work, among other tasks. But complications arise as a result of mismatched file formats, unrealistic client expectations and changes to the original brief that go all the way to the office of the President.

Despite a series of setbacks as well as attempted sabotage on the part of a nameless contributing author, the editor successfully produces a version of the document that is totally free of errors, bodaciously structured and indexed, insanely readable and delivered in .rtf, XHTML and PDF formats.

Highly charged, meticulously detailed and surprisingly realistic, The Editor features an offbeat cast of characters, sparse yet grammatically correct dialogue and daring feats of rewriting.

Suggested tagline: No more tracked changes — this time it’s final (.docx).

In the Republic

My flight had been delayed by an awkward incident during a brief stopover in Z—. One of the passengers — an older man in a crumpled suit — had been pulled from the boarding queue. Two persons, who did not look as if they belonged to airport security, searched the man’s carry-on luggage.

From my place in the queue I observed him as they pulled out first a newspaper and then what could have been a paperback novel. The man in the suit did not flinch.

The book had a green matte cover with gold lettering in a language I did not recognise. As the official flicked through its pages I could see that it was unread, brand new.

A sales receipt fell onto the floor of the terminal building. The man in the crumpled suit noticed this but the official did not (and his colleague was busy calling the incident in on her mobile telephone, in any case). Presently, they led the man away.

As our ageing Bombardier turboprop banked and turned over the marble mountaintops, I marvelled at my own audacity: I had slipped the receipt between the pages of my debut poetry collection, somehow certain that both it and the unreadable message scrawled on its reverse side would be safe from harm once I arrived in the Republic.

Tracer

Even at the very end, when it seemed almost hopeless to everyone else, I still believed there was a small chance they’d make it. I fact I’d held onto that belief — stubbornly, I admit, and without logic — since the beginning of their journey.

Of course, I’d had no way of knowing who they actually were when I accepted the gig. All I knew then was that there were five of them: two adults and three small children, ages undefined. But there was something about one of the adults that caught my attention — a kind of glitch in the statistics cascading down my device’s screen — that caused me to ignore our otherwise strict and unmoving protocols, for the duration of the mission at least.

It started out bleak and cold, as expected. Early-morning traces in midwinter are rarely bright. Each of the five subjects’ vitals indicated sleepiness and lethargy. Only the youngest had slept for anything like the number of hours recommended for an ordinary day — let alone a long journey.

They emerged from the house before dawn, their blurs of dark clothing highlighted momentarily beneath each working streetlight, each snapshot shape crowned with drizzling rain. The taller of the adults dragged a suitcase in one hand, a child with backpack in the other. The second adult — the one whose vitals had piqued my curiosity the night before — pushed the pram containing the youngest child, while herding the third child down the slippery path.

They arrived at the first of the day’s destinations, a bus stop, ahead of schedule. The adults sat the two backpacked children on the bench, somewhat out of the rain, and angled the pram into the corner of the shelter. I traced them from the dry warmth of my vehicle, noting that the brief pause in their onward journey had no discernible effect on either of the adults’ body battery levels. In fact, they were already decreasing.

Presently, a red bus arrived and I handed over tracing to whoever was already onboard. I watched as the adults entered the bus by the back door, wrangling suitcase, pram and children into the zone reserved for parties such as theirs. The doors of the bus folded inwards with a wet squelch and they were gone.

I thought they’d make it easily but as it turned out I was wrong. Still, in that instant before their vitals disappeared from my console, I couldn’t help wishing it had turned out differently. That they’d managed to catch the connecting bus, then the train, the second train and the ferry.

But my reverie was interrupted by a fresh notification from my device, and my vehicle’s ignition engaging automatically. For a time, we followed the bus’s red cat-eye lights, but then the vehicle peeled off at a t-junction of its own accord, and I lost sight of them for good.