you arrived in kochani life-bruised and hung-over
lucky to have escaped the clutches of bureaucracy
the festival of mute poets barely a memory (lines
nothing compared to roadside fields of rice (flags
the evening's cool remedy: couples walking beside
a tiny river (readings in a childrens' park where
swings & miniature trains reminded you of certain
times when a swing was all you needed those times
before words took over the ends of which found you
projecting your voice into darkness just a single
бакнеж your only weapon in a war where disarming
complete strangers was your only aim two girls in
nosija dress were happy to pose for a photo or two
but were too short for you to put your arms around
them even though that was all you wanted to do (to
shield these two girls who could be your daughters
from all that the night drunk on itself could have
thrown at them | there on the stage under arc-lights
right in front of the camera while you stood there
waiting for a flash to go off you felt a small arm
curl itself around the small of your back & in that
instant you wanted to bawl & missed your imaginary
daughter so much she was almost real (the way flags
make real the grand but obscure desires of nations
or even towns that want to be nations (lonely like
lost swallows in the dead season their flightpaths
like tracer bullets in the soft but lonely sky (so
you bawled your words at the tidy darkness anyway
kissed the invisible city with your lips wide open
then turned your back on the figments of applause
only to be offered a bottle of cola by the girl in
the nosija dress whose cheeks were as rouge as ads
for products that no longer existed (like the cola
which was a local brand you clearly weren't meant
to recognise but which tasted sweeter even than
that childhood you never thought you'd ever miss
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