Author: Davey Dreamnation (page 140 of 237)

Davey Dreamnation (1972–?) is an Australalian musician, vocalist, pirate and record-label owner who now lives 'in the third person'.

View his full biography.

Lonely Planet

There’s a train that’s stopped moving, in the middle of Hokkaido, in the middle of the night, in the middle of winter. The sound of a thousand snores, a thousand sleepy sighs. The rumble of a passing train. The one the driver’s waiting for.

There’s a train that’s stopped moving but any minute now it’ll tug at its carriages, jerk into motion, shudder into being. No one wakes up. The girl in the smoking area crouches over the table, asleep, a full ashtray next to her head. Icy wastes.

There’s a train going through a tunnel that never ends and the farther it travels the harder it is to reach, to hear. The lights are all still on but the air in the carriages is full of bubbles. How to remain forever frozen, underwater, beyond the steamed glass, a community of future humans with gills staring at the train.

There’s a train with no passengers waiting at icebound Tappi-Kaitei-eki, cartoon characters on its sides, ice crawling towards its doors. Somewhere a bell rings and cracks the silence but the train remains motionless, misunderstood.

There’s a train running late but no one even seems to care or hear it coming. A flag is raised, a finger pointed, an information display adjusted, blips. Crowds line up to see it pulling into the phantom station. Craning. Breathing.

There’s a train arriving every heartbeat, its contents spilling out onto platforms and into elevators, down escalators and through turnstiles. Twelve hours ago this train was not moving. But I breathed, somehow, through the pitch and dark.

To beard or not to beard?

That is the question I have been asking myself for the past ten days here in Japan, where I have given into the temptation to let my facial hair grow, partly as a form of self-amusement and partly because it’s something I like to try out every now and then, in the hope that I can pull it off. The results have been less than overwhelming: whenever I catch a glimpse of my face in the mirror it either simply looks dirty or else I don’t recognise myself. After my brief brush with looking like Steve Winwood, you’d think I would have learnt my lesson but no—I ended up looking like Peter Hook from New Order. And I never did feel comfortable with the idea of a member of a so-called pop group sporting a beard. Actually, now I think about it, I began to look like Jason Donovan in the ABC medical drama MDA.

The issue came to a head for me this morning when I sat down and thought about how this beard will look to my friends and family when I get home. Long ago, in my foolish youth, I tried to grow a beard and then, becoming frustrated with the itching and the old-man feeling, shaved it off. My girlfriend at the time didn’t even notice. My best friend, who had said the beard looked great, turned around and told me straight that I looked much better without it, and seemed genuinely relieved, for my sake. A similar feeling came over me today. For a start, tomorrow I’m being interviewed by a Japanese literature magazine called Subaru (published by Shueisha, better known in Japan as publishers of manga and popular culturte magazines) and I’ve been told a cameraman will be in attendance to take my photo. I certainly don’t want my debut in the Japanese press to be bearded.

My friend Keiji, who will be interviewing me, also showed me some back copies of the magazine, including one featuring an interview with Alain de Botton. While I’m not really a huge fan of his work, I couldn’t fail to notice that de Botton, too, was beardless, walking very writerly across an intersection in Shinjuku. So if it’s good enough for him … But more importantly, I guess I realised that I’ll never really be able to pull the whole beard thing off. When I think of the great beards throughout history, my mind actually draws a huge blank. Did Shakespeare have a beard or was that actually just a goatee? Don’t even get me started on goatees, or the moustache, which I did foolishly attempt to cultivate, some time in the dark ages when I must have been on magic mushrooms.

So, to cut a long story short, this morning I shaved off my beard. It was a disgusting experience. It reminded me of touching a wet mouse. Once the operation was complete, I felt that something important had been resolved. Perhaps this something is the knowledge that now, sure, I may look like an idiot but at least I’m not an idiot trying to get away with a beard. Before enlisting the services of my brave razor however, I was sure to take some photos of this sad friend of mine, the pathetic beard. I intend writing to the National Library of Australia in the hope that they will archive these photos, thus preserving my beardness for future generations. Perhaps, one day, when the shock of it all has worn off, I will also post one of them here, as a lesson to any other person wishing to walk down this sad and empty road.

One final thought: surely it’s not coincidental that the word ‘beard’ rhymes with ‘weird’.

snow sea swan

Snow globules hanging from the trees, like silvery pollen or the larvae of worms. Rice fields smothered by six months of snow, their feeder canals obliterated, the shallow stream a black slit in the hollow. Houses dwarfed by their new snow skins, train stations drowning beneath the sky’s white tears. More snow than I have ever seen in my life.

Sea coloured metallic grey and gun barrel blue, heaving and sludge. Water befuddled by the frozen wastes that feed it, concrete storm buttresses the colour of the disappeared sands. Tiny harbours and breakwaters holding several frozen boats. Views across gigantic bays and technical seas, towards mountains of snow coloured like oceans, rising.

Swan so white its feathers are like blasted snow, bobbing in the swell near the storm water outlet. Birds so elegant in the water they are the animal kingdom’s icebergs. Treacherous on land, rearing up to strike the feeding hands. A diorama of peace, just there in the freezing water, a family of swans surrounded by snow birds, seagulls, air.

Silence car

i was born in a silence car
with only her heartbeat for a drum
no ringing bells or false alarms
i swam through the day’s eclipses

i was born in a silence car
but the sounds infected my tiny ears
& the world gushed into that tiny space
where first i breathed and lived

i was born in a silence car
underneath the surface of where we are
connected to the earth by sonic rays
shuddering like an unlit ghost

i was born in a silence car
it slowly revolves around this star
one day i’ll return to cosmic air
and the radiant clang of oblivion

The bridge of hesitation

you never did cross it but still it remains
a pair of spectacles submerged in the river

on one side lies the pleasure district:
neon and ribbons, arc-welded limbs
the scintillation distractors

on the other: some home
or one light that was gutted then torn down
extinguished by passionate hopes

between them, one heartless bridge
a fiction beneath expatriate memories
the mind's dim canals . . .

of course being fake you'll make
a wide circuit round it
beating drums to scare mild geese
before dawn can catch its breath

but grim hesitation tracks you down
makes your heart skip beats

tripping over cracks in streets
sorrows like snow on an iron horse