Tag: elit (page 2 of 2)

ELMCIP Twitter Stream (13-17 June, 2011)

I realise that things have been a little quiet on this blog recently. I blame the onset of a fair-to-middling Swedish summer, which has encouraged me to get out of the office slightly more often than usual (not to mention the fact that the entire campus here in Karlskrona seems to have shut down over the summer break, library included).

Nevertheless, I’ve been thinking a lot about electronic literature over the past few months, which is just as well given that I’m currently undertaking a post-doc on the subject. I have to admit that even six months into the post-doc, I still feel like a complete n00b when it comes to e-lit. In many ways it’s been a real challenge to my preconceived notions about writing and the digital realm.

One experience that really helped to put my mind into focus in terms of grappling with these issues was attending the ELMCIP workshop my colleagues and I organised last month in Karlskrona on the subject of electronic literature pedagogy. While I did not present at the workshop, I did undertake the task of updating the ELMCIP twitter feed for the duration.

I must say, as someone who’s always thought that the people at the BBC who update the ball-by-ball text commentary during cricket matches have the best job in the world, that I really enjoyed the experience of composing short tweets on the presentations, responding to the tweets of others following the proceedings and re-tweeting various pithy statements.

The problem of course, as with many manifestations of electronic or digital media, that much of the context of that experience is/was temporal – ie, impermanent. It’s impossible to capture the full extent to which the ELMCIP stream was followed, responded to and digested. Nevertheless, I think it’s still necessary to do whatever one can to document these sorts of experiences.

So, I’ve made a screenshot of the hundred-odd tweets I wrote during the workshop. While the screenshot cannot capture the number of tweets that were re-tweeted, it does, hopefully, give a kind of summary which I can look back on with pride in my dotage (ie the duration of my life post-post-doc). Check it out, as they say, ‘over the fold’.

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well death hasn't killed
teh intranetz yet, then.

glad we got that sorted.

just send my cheque in
the mail if you can't 
make it yourself. 

spread yer words, 
make all your phone calls 
heard in the next life. 

load that drive,
erase that trail 

count to zero - 
it never fails. 

The Material Poem

The Material Poem is a new e-anthology edited by James Stuart and published by non-generic productions.

The blurb on the site says:

The Material Poem features the work of some 28 Australian poets, artists and critics, all of whom are engaged with poetry, and more broadly language, as a material form. This body of work is inter-disciplinary, inter-media and often collaborative, spanning a wide variety of formal contexts – page, screen, canvas, space, book, performance and more. The Material Poem showcases the vibrancy of experimental writing in Australia, demonstrating how writing functions as a practice that is never purely literary.

tmp_logo.jpg

The anthology stars intermedia luminaries including Patrick Jones (he of the bubbler fame), Ruark Lewis (he of the cover image for Cordite 16), Peter O’Mara (he of recent works in Cordite), Michael Farrell (etc), Jill Jones (and so on) and Annette Willis, and Klare Lanson (et al), all of whom (with the exception of Annette Willis) have been featured in Cordite (hyperlink to us) in some guise or other over the years.

I wrote the artist’s note (my first ever – wow) for Klare’s entry, which also features stills from some of Klare’s recent performances and a special guest cameo appearance by Sean M. Whelan, he of the one thousand cows.

Check it out today. The anthology is available as a free download (now via Wayback Archive) and at over 250 pages, that’s bulk ace. I like the cover especially. It’s got that 571-era Wire feel about it.