Tag: Extended Play

  • At last we come to a band who could be considered serious contenders for EP of the 20th century. I’m talking Pavement, I’m talking Watery, Domestic all over town. With a title that’s almost as cool as my brother’s “spartan, militaristic” tag, this EP is a ripper, clocking in at around ten minutes but boy…

  • Now here’s a blast from the past: the Undertones, “Derry’s finest” etc kicked some major label teenage butt in the late 70s, while Wire did the art rock collapse. 1978 saw the Undertones’ first EP, containing the just-not-so-subtly-alluded-to track, “Teenage Kicks”, a track that would see John Peel become their finest spokesperson. Fronted by the…

  • The Fauves

    It’s no secret that I’m a huge fan of The Fauves – just take a look at my interview with lead singer Andrew Cox, featured in the current issue of Cordite. I first got into The Fauves as an undergraduate. My friend Dom had bought their first EP, a woeful effort called This Mood Has…

  • Wir(e)

    As mentioned previously, one definition of an EP is a record whose length is between 10 and 35 minutes. If this was the case (and I think we’re all pretty clear on where I stand re this definition), then Wire’s first three albums would all be considered EPs, despite the fact that each one contains…

  • Don’t get me started about Tumbleweed. Theatre of Gnomes, their first major release, was a five track EP. Enough said. Ask anyone who’s from Wollongong if they’ve heard of Tumbleweed. Then ask them if they’ve heard Theatre of Gnomes. If the answer’s yes, you’ve just discovered a true ‘Weed fan. And of course it was…

  • Enough said. The man is an alien. I’m talking the Station To Station release which for the sake of a technical obsession with record lengths I’m going to call an EP. I ask you: does it get any better than this? One word: “Wild Is the Wind”. Two words: “Station To Station”. Three words: “TVC15”.…

  • Glide

    The sad story of Glide perfectly encapsulates the highs and lows of the early 1990s in Australian music. Glide, fronted by the extraordinary singer-songwriting talents of William Arthur, burst onto the Sydney scene in 1991, releasing two breathtaking EPs – Pretty Mouth in 1991 and the huge Shuffle Off To Buffalo in 1992 – to…

  • Back in the early 1990s ‘The’ Verve were still called Verve, the Charlatans didn’t have a UK tacked onto the end of them and Suede still sucked the big one. Pardon me for sounding monotonous but Verve were further proof that the old ‘the early EPs were great but the later work is like drinking…

  • As Crowded House said, “Now we’re getting somewhere”. Swervedriver were one of the greatest bands of the early 1990s. Full stop. And you know what? Their early success, like that of Ride, hinged upon a series of phenomenal EPs: Son of Mustang Ford, Rave Down and the incendiary Sandblasted EP, all of whose title tracks…

  • Last night when I was thinking about who I would profile next in my exhaustive catalogue of early 1990s bands that have, sadly, disappeared, I became aware that I was perhaps being a little too shoegazer-centric. Hence the inclusion of Ratcat whom, to be honest, I was never really that into at the time, except…

  • You may notice a pattern appearing: the last two posts have mentioned the seminal influence of a particular EP—namely, Ride’s Play and MBV’s Glider—on my musical tastes and palette. Well, here we go again. It’s time to talk about Ratcat. I cannot emphasise enough the impact of Ratcat’s Tingles EP on both myself and the…

  • Of all the sad remnants of the early 1990s, you’d be pretty hard pressed to find anything sadder than the lead singer of Ride undertaking a tour of Australia, ten years after the band fizzled out, like luke-warm piss floating down an alleyway behind the Punters Club. That’s because the Punters doesn’t exist anymore, and…

  • Straitjacket Fits supported My Bloody Valentine on their tour of Australia in – help me somebody – was it 1993? and, in the words of one reviewer, “wiped the floor” with the grandparents of shoegazing. You may think I’m coming out of left field with this one but having recently listened to Flying Nun’s excellent…

  • I don’t think My Bloody Valentine ever put out a song or album with the word ‘whatever’ in the title but I should be wrong. My Bloody Valentine are the ultimate Whatever Band. If you’re talking nano, they don’t even register. They’re so early 1990s the NME website doesn’t list any of their records for…

  • What is an EP? Well, to start with, EP stands for an ‘extended play’, 12″ vinyl record, thus distinguishing it from a 7″ ‘single’ or a 12″ LP (‘long play’) record. In this sense, the definition of an EP reflects a happier, simpler time (perhaps) when records were all issued on vinyl, and cassingles, CDs…