Author: Davey Dreamnation (page 138 of 240)

Davey Dreamnation (1972–?) is an Australalian musician, vocalist, pirate and record-label owner who now lives 'in the third person'.

View his full biography.

Bird Rain

bird rain from the hard steel sky no mercies!
†no juggernaut rides whip roofs off the honey
††powered winds jacked western highways blinds
†††radio reports looping abstract delays shutter
††††whirr powers fail electricity rains down hail
†††††bird lightning in its wings sonar burns one
††††††staccato bullet trained in space collides with
†††††††tree flower crooked bolts feedback lots drawn
††††††††& hung fenceposts moving horizontally spares
†††††††††horses inside panic braces streamlets emerge
††††††††††giant rains lash perimeters & allotments while
†††††††††††telegraph poles cartwheel velocities unknown
††††††††††††earth solid bird clouds enveloping hills in
†††††††††††††feather mists rain vomits birds cracked necks
††††††††††††††on underwater lawns marinas invade the oceans
†††††††††††††††of black bird rain cellars stuffed with human
††††††††††††††††remains short wave useless bird rains continue
†††††††††††††††††coast guards sliced ribbons of steel flesh
††††††††††††††††††rain cascading down sparks elevated windmill
†††††††††††††††††††saw clean ruptured skies bird rain bird rain†

Missing Children

Not even a breeze. There is the next door neighbour’s music bleating through the hole in the fence. The sound of a toaster popping. No crumbs, though, and no sticky hands. Morning comes but you don’t notice. The phone rings. You embrace the emptiness. The sky bleeds. Christmas is here. So what. In the housing estates, other peoples’ children play in their small grass compounds. Silence is your bell. Not a photo. You didn’t have time. Your eyes are useless cameras now. The shutter falls and a tear creates a blur. Wipe it away. It means no harm. All that effort expended on a smoke alarm. Something you heard on A Current Affair, blaring from the next door neighbour’s plasma screen TV. You took notes. You could hear their cries from the bedroom. Your quiet envy, disguised with a smile. Maintain dignity. Don’t let on. The interview went smoothly. You were numb. It’s still not quite believable. You find yourself sweeping the carpet with a broom. Something about the power being cut off. Waking up with your face stuck to a board game, a tiny plastic token embedded in your cheek. Not that tiny hand. You have forgotten it. A tricycle. The endless schemes and plans. Futures. She has broken down. You held onto each other in the night but once you were asleep your hands lost their grip. Hands that sweated with hidden stress. The giant ache inside your mouth. Not laughter. Ashtrays on the front porch now. Cracks in the windows and ceilings. Round and round the house you go. She may call tomorrow. They never call. Their silence speaks of novels yet to be written. The club memberships, eradicated enrolments. No parties. Not a candle. The day she left in a van. You remain in contact with her mother but the world has ended. All her stuff – her clothes, trash fiction, jewellery – is still here. You sweep it into small piles. Not a match. No sharp knives. They’re still in the top cupboard, along with the poisons and powder. No tiny breathing sounds down the line. They advise you to return to normality but when you get there it’s closed. She knew that already. She thought up the names. Those arguments, her good humour. No grace now. No feelings left. They’ve gone. Only Neighbours has the power to make you cry now. Poor Steph. She’s dying. Little Charlie doesn’t know it yet. You sit on a camp chair next to the fence and listen to it on the next door neighbour’s TV. It’s louder than the summer evening. No rhymes. No silly games. No memories of the hospital, the first weeks. No heavier than a stick of butter, then. Who knows how heavy now. Maybe in the ground. The branch’s whipcrack as it separates itself from the gum tree. No need to mow the lawn. No stars. The sneaky influence of prescribed chemicals. A kind of screen between you and the world. No birds. No morning noises at all. Two months now. Not a single lead. Not even a chirrup.

The Babble Krewe

I’m no groupie, despite what anybody says. My idol’s Han Solo. I have to admit, however, that deep down I have always been a secret Babble groupie. Ever since moving to Melbourne, I mean, before which I had never even heard of this loony Melbourne institution, originally a weekly spoken word night held in Fitzroy. While Babble’s now held on the first Wednesday of every month, it still packs a punch, word-wise. Its fortunes do swing erratically in the shifting breezes of the Melbourne scene: a special hip-hop Babble in January drew a crowd of over one hundred, while February’s Plainsong and Enya Babble drew less than thirty. Luckily, last night’s Rock and Roll Babble hit a happy medium, with two feature poets instead of the traditional one and a strong Babble Open Mike section afterwards. Hosted as ever by the dynamic, funky and legtastic Sean M. Whelan, the mood throughout was electric. DJ Rag Doll, returning once again from Berlin to spin some garage tunes, got the proceedings started, followed by features Amelia Walker (who outed herself as the co-author of a poem attributed to Maralyn Spears-Malley in Cordite’s Children of Malley issue) and Ben Pobjie (whose rapid-fire delivery and sharp wit elevated the mood in the room). Highlights of the Open Mike were alicia sometimes playing air bass before and during her poem, Chloe Jackson channelling the spirit of a girl at a rock concert, perennial staple Eddie reminiscing about Bill Haley, and the new Irish sensation Neil (who will be featuring next month) providing a rapper’s (or apricot) delight. Strangelights were Crazy Elf leading the crowd in a singalong whose chorus went something like “When you kill Jesus/ he turns into chocolate eggs” and pretty much everyone else who read. Oh, Quinn’s story was good. Klare Lanson lent me her sunglasses for a short time. I only drank lemonade.

Gerhard Richter and foam:e

For a long time I’ve admired the art of Gerhard Richter, whose photoreal ‘kerzen’ (candles: see below for an example) would be recognisable to any fan of Sonic Youth’s Daydream Nation album.

In the first part of last year, when I was writing full-time thanks to a grant from the Australia Council for the Arts, I wrote three poems inspired by Richter’s Kerze pictures. Unsurprisingly, the poems are called “Kerze 1”, “Kerze 2” and “Kerze 3”.

Now, for the first time, you can read these poems, which have been published online by the minimal and kewl poetry zine, foam:e.

Today being the first day of autumn, I was also reminded of a poem I wrote about six months ago, during the last days of summer in Bruxelles.

The poem’s called Landschaft Mit Gerhard Richter. I’m happy to report that while summer may be over, the sun is shining, it’s nice and warm and it looks like staying that way forever.

Thank you, global warming.

And thank you, El Nina.