Category: Poems (page 36 of 73)

As of October 2011, I’d posted over three hundred poems on this site, including many sonnets and search poems, as well as numerous poems that didn’t make it into chapbooks such as Abendland and Morgenland. I then ceased posting poems here, choosing instead to distribute them via my poem of the week newsletter. Then I stopped doing that too. Every now and then I post a poem here … but not as often as I’d like.

Waarom Daarom

Why? Because. That’s it. No reason. Just
because. Why? Because why. It’s as simple
as that. Because. Because why? Trust me,
because. Why? Because that’s the way it
is. That’s no because, no why either. I
shrug. Because, that’s why. The reasons
are the answers. There’s why and there’s
why not. I’ll take because. Because why.
That’s why. Simplicity itself. Because
we’re all seeking simple answers. Why?
How would I know? Just because I know
why because is because, does that make
me an expert? Why? Because. O sure, I
heard you the first time. Because why.

Renga with Ginka Biliarska

In July last year I attended the World Haiku Association conference East Meets West in Sofia, Bulgaria. One of the organisers of the conference, Ginka Biliarska, who was kind enough to meet us at the airport and pay for our taxi into the city, had previously asked if I would like to do a little renga with her, and so we composed a few poems via email, entitled “A House On the Bank”. Now, the poems have been published in Lynx: a journal for linking poets. Ginka has also written renga with other poets using the same title – you can read all of them at Lynx but for convenience I’ve also pasted our poem below:

A HOUSE ON THE BANK

Ginka Biliarska, Bulgaria
David Prater, Australia

house on the bank
the river flows
but time has stopped

just like the white moon
in the child?s dark room

sun beam ?
the sleepy dog is driving it
away from his nose

dust
from old cushions
fills the summer day

opal window glass
flickering sunspots outside

friendly fires ?
smoke that crosses the threshold
between our two worlds

Te Huur

I’m looking for a house to live in but I
don’t know if I can live with myself. It’s
tricky. Damn my moods, the forgetfulness.
Hanging a sign outside my skull: for rent.
Mexican dances for the dead. Forget them.
Shelves lined with mix-tapes, coffee pot
forever mouldy. If it’s all the same, I’d
rather squat on grass. Those shirts from
the late 1980s we hoarded, that paisley.
A cask from last week’s costume parties.
On a whim I visited my grandmother, then
I applied for a flat I’d never seen and
was successful. I’m moving in next week.
Utilities connect themselves, off-peak.

Nieuw Holland

Fields of megafauna, legends in our eyes.
Beneath a confected dune, I spilled some
water from a glass jar and watched as it
disappeared into yesterday. We pitched a
tent on the beach, listened to the dingo
howls, and prayed for rescue. The locals
don’t seem to mind us being here, though
we are invisible to them, of their past.
The animals’ eyes glow softly in amber,
rare mosquitoes frozen in space. As time
washes our shorelines away, we struggle
with this eternal fear of obsolescence.
We’ll never know what it was like before
we arrived; and they, after we have gone.

Peril

Two of the poems I wrote in Seoul, namely “Hoju Bihang-gi” and “imaginary cities: saga” have just been published in the second issue of Peril, the Asian-Australia literary magazine. It’s a pretty nifty site, actually, and you can even rate the poems out of ten! Other writers featured in this issue include Michael Farrell, Christopher Kelen and Adam Aitken, plus a tribute to Lisa Bellear. It’s also exciting for me that another imaginary city has found a home – this makes five so far this year!