the appositeness of the phrase getting off at redfern struck our roving correspondent with all the force of teutonic bombs as the limousine bus pulled into that wind-blasted car-park near the old imjingang station last stop before a river crossing (that broken bridge the one that used to go to chosŏn the other mystical fatherland (that got waylaid by arirang & sŏn'gun that number one hit with a bullet known as chuch'e picture then the scene complete with invisible sax as the tourists wandered around the wrecked locomotives strolling nonchalantly beside ponds filled with lilies & over everything piped or were they real sax sounds appearing as if from nowhere or else an ancestor park the sax player herself (the old ajumma oh broken world
Tag: korea (page 3 of 10)
The thirty-fifth issue of Cordite features new poetry from Australia and Korea. Timed to coincide with the Australia-Korea Year of Friendship, which celebrates fifty years of diplomatic relations between the two countries, Cordite 35: OZ-KO aimed to stimulate creative collaborations between Australian and Korean poets and readers, and features one hundred new poetic works, plus a variety of features and other articles.
Read moreContributors:
KO Un, KIM Kyung Ju, KIM Ki-Taek, KIM Myung-in, KIM Sa-in, KIM Sun-Woo, KIM So Youn, KIM Un, KIM Hyesoon, RA Hee-duk, PARK Ra Youn, PARK Hyung Jun, SONG Kyung Dong, SIN Yongmok, SHIN Hae Wook, SHIM Bo Sun, LEE Seong-bok, LEE Si-young, JIN Eun-young and HWANG Tong gyu.
i'm sitting here writing a poem (or at least pretending to) while a photographer shoots me with a wide-angle lens. of course it's fake - this isn't even my office, rather the media lab at yeonhui in north-west seoul, a thousand miles from home(s), months ago, a million species of weird- ness, like a bastardised poet-model (po-mo) whoring myself out for that fabled publicity shot. the camera flashes, blips, whirrs, a semblance of a shutter, a studied pose, the stack of books as props, the obligatory globe. looking at the camera now, as i write, is harder than it looks. somehow it still feels fake ... especially in close-up. can the viewer see what i'm writing here and does anybody really care? these are the 'travails' of the modern writer distilled into one single stream of consciousness, etched in pencil. the shoot is done, it's time to go but fuck it - they'll just have to wait until my final line is written: #fml
last night i saw yi sang singing in a noraebang sounding just like a little sparrow does going tang tang tacka tacka tk tk tk tk tang it was such a sad little song that the sparrow sang the kind that nobody else knew the words to but don't think that stopped him - no way! i can hear yi sang still, on the hanok roof going tang tang tacka tacka tk tk tk tk tang all day long, in dead silence, like a sparrow. then i saw yi sang playing starcraft in a pc bang losing badly, screaming at the screen, the air heavy with teenage smoke and his keyboard sticky with grape soda (do you think that stopped yi sang? never! losing men and energy way too fast to ever keep up with his competitors going tang tang tacka tacka tk tk tk tk tang on their worn-out keyboards all night long, in networked silence, like a flock of sparrows. then (if you can believe this) i saw yi sang soaking himself in a jjimjilbang, his hair like feathers on the head of a sparrow, spiky and wet, like a sparrow drinking from the smallest puddle you can imagine. as if wet feathers could ever hold him back! don't believe it! yi sang, wet, sitting in a pool in the jjimjilbang for hours on end, his little heart racing as if he was flying through air going tang tang tacka tacka tk tk tk tk tang. tonight i'm sitting quietly in a corner of a dabang thinking of yi sang and what he would have made of the new multibang craze. maybe he would have liked it, maybe there's a place for a little sparrow inside a pay-as-you-go multitang, a little space that goes tang tang tacka tacka tk tk tk tk tang all day long if you want, if that's what you want, if that's what makes you happy. don't you think it's a nice idea? a nice way to re-imagine yi sang? & tomorrow i'll be sitting in a dvd bang, watching a movie based on the life of yi sang. i won't see a single sparrow, i won't even hear the sound a sparrow makes in a tree in the dark. don't you know? don't you believe in the sound a sparrow makes in the dark? never mind, i can remind you, it sounds like tang tang tacka tacka tk tk tk tk tang, all night long, in a corner of the sparrow dabang, and it's the most beautiful, lonely sound in the world.