David Prater, Sebastian Gurciullo, Barry Hill, Ivy Alvarez, Terry Jaensch, Jane Gibian, Fiona Wright, Jill Jones, Pascalle Burton, Daniel O’Callaghan, Luke Beesley, Michelle Cahill, Corey Wakeling, Liam Ferney, David Stavanger, James Stuart, Stuart Cooke, Ouyang Yu, Christine Armstrong, Michael Farrell and Ali Alizadeh.
It’s kind of hard to believe, and in fact I’ve been feeling slightly delirious for the last few days, but I’ve finally managed to put together the second part of Cordite’s Oz-Ko issue devoted to all things Australian and Korean. While the first part of the issue, released in April, was a teaser or Envoy in the form of twenty poems in English, Oz-Ko (Hoju-Hanguk) is a full-blown bi-lingual exercise featuring forty new poems in English, and Hangul translations by 김재현 (Kim Gaihyun) and 김성현 (Kim Sunghyun).
Poets featured in this stage of the issue include our three touring Hojunauts (Ivy Alvarez, Barry Hill and Terry Jaensch) as well as a motley crew of contemporary Australian poets including Fiona Wright, Jane Gibian, Jill Jones, Pascalle Burton, Liam Ferney, Michael Farrell, Luke Beesley, David Stavanger, James Stuart and heaps more. In addition, we’ve been assembling a series of features on Australian and Korean poetry and culture, which you can now read at your leisure.
While I’m proud of each of the thirty-odd issues of Cordite that I’ve produced in my time as editor of the magazine, there will always be a special place reserved in my heart for Oz-Ko, no doubt partly because so much of my life has been invested in Korea. Having undertaken Asialink residencies in Seoul in 2005 and 2009, this third visit is really a culmination of all I once hoped to achieve in Korea, and perhaps that’s why I’m now feeling delirious. In any case, it’s a real thrill to see some Hangul finally make its way onto the Cordite site, and I really hope that some Korean readers get to experience contemporary Australian poetry in all its ragged glory.
Speaking of which, I’ve written two editorials for this issue. Well, three actually, if you include the Introduction to Oz-Ko (Envoy). Compared to that, the introduction to Oz-Ko (Hoju-Hangul) is a lot shorter, possibly due to fatigue. But the piece I’m actually really proud of is the Oz-Ko meta-poem I wrote and which features hyperlinks to each of the sixty poems already published in the issue (you can also view the Hangul version here, complete with URLs – don’t get me started on how long it took to format those!). Of course, for some readers I’m sure it will be a case of TL;DR but who cares what they think.
Here’s what I think: that the process of producing this truly bi-lingual issue has been just as important as the contents of the issue itself; that translation in this sense includes not just translation between languages but between electronic formats and systems; that Hangul script looks way cool; that Cordite 35: Oz-Ko is perhaps just the first step of a much larger and longer journey; and that after all this coding, formatting, stressing and navel-gazing, it’s time for a well-deserved soju or two.
David ‘Bek-Ho’ Prater, signing off for now.