Seething since 2000*
Some housekeeping regarding the early Chris de Burgh albums
You may recall that I’ve embarked on a massive project involving an analysis of the early Chris de Burgh albums—and specifically his lyrics. Given the scope of this project, my progress is slow, but steady. However, inevitably, choosing a new…
“Out of petrol”: Kraftwerk på Cirkus
After taking an eternity to write my review of Animal Collective live in concert, I’ve decided to turn over a new leaf and get snappy. So, without further ado, some words and pictures from last week’s Kraftwerk gig at Cirkus…
Animal Collective live in Leuven and Stockholm
We’ve moved on, actually
You seem to believe that you have a right to live in a world where you still get paid one thousand times a day or even more for the three chords you banged out (by accident, might I add) on…
Djungel
This sound, that stinks of dirty sneakers (never boots, they’re meant for da smeris speaks of djungel, uprooted flowerpots (never flares, maybe strobelight analysis strewn across the asfalt like the remains (not the actual remains, mind, but echoes of tribal…
Ten women who shook my world*
In celebration of International Women’s Day, here’s some Youtube gold from some of my favourite women musical artists from the late 1980s and early 1990s. First up, Bilinda Butcher sings My Bloody Valentine‘s certified indie-dance crossover shredder, ‘Soon’.
Thomas Mars on Radiohead lyrics and magnets
We’re fascinated with the idea of every word fitting perfectly with every chord so it creates a new standard of beauty . . . It’s almost like Radiohead are using those word magnets. That’s my worst fear — the magnet…
Chris de Burgh on Iran
Recent events in Iran have filled me with shock and mounting horror, and I send my heartfelt sympathies and support to all my friends and fans there who may have been caught up in what has become a huge international…